Collana | Filologie medievali e moderne
Recensione | Theologus Dantes
Capitolo | Dante eterodosso?
Abstract
It is frequently assumed that doubts about Dante’s orthodoxy began to circulate in historiography at the beginning of the twentieth century, when his alleged ‘Thomism’ was seriously questioned by Bruno Nardi, who demonstrated that not only in the Convivio, but even in the Monarchia and in the Commedia, one can find themes and ideas inspired by Averroes and by the so-called Latin Averroists. Besides showing that controversies on this point started much earlier, this paper highlights that, whilst a plurality of conceptions of Dante’s ‘heterodoxy’ soon emerged, ‘orthodoxy’ was, and still is, too hastily identified with ‘Thomism’. Moreover, it argues that anachronistic views of the distinction between ‘orthodoxy’ and ‘heterodoxy’, as well as of ‘Thomism’, have to be avoided, and suggests that some passages of Dante’s works where Nardi and his followers detected ‘residuals’ of Averroism have been over-interpreted.
Pubblicato 17 Dicembre 2018 | Lingua: it
Copyright © 2018 Luca Bianchi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-298-7/002