Collana | Biblioteca di Rassegna iberistica
Miscellanea | Geométrica explosión
Capitolo | Come non si fa un romanzo
Abstract
Unamuno expressed a particular interest in the theory of the novel, but he did not allow himself to formalise his position. Anti- and meta-novel, Unamuno's How to Make a Novel (1927) avoids the common conventions of the novel. Likewise Henry James’s The Figure in the Carpet (1896) was a fiction about fiction and an allegory of the reading fiction. The symbolic death of the critic and the fear of death of the reader set a limit on the literary experience in either case.
Lingua: it
Keywords Henry James • Metaliterature • Miguel de Unamuno
Copyright © 2016 Alessandro Scarsella. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/6969-068-6/RiB-1-25
Traducción
Cultura
Literatura
Didáctica
Discurso
Léxico y semántica
Sintaxis
Introducción
DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_222 |
dc.contributor.author |
Scarsella Alessandro |
dc.title |
Come non si fa un romanzo. Note su metalessi, antiromanzo e metaromanzo, da Henry James all’ultimo Unamuno |
dc.type |
Capitolo |
dc.language.iso |
it |
dc.description.abstract |
Unamuno expressed a particular interest in the theory of the novel, but he did not allow himself to formalise his position. Anti- and meta-novel, Unamuno's How to Make a Novel (1927) avoids the common conventions of the novel. Likewise Henry James’s The Figure in the Carpet (1896) was a fiction about fiction and an allegory of the reading fiction. The symbolic death of the critic and the fear of death of the reader set a limit on the literary experience in either case. |
dc.relation.ispartof |
Biblioteca di Rassegna iberistica |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.issued |
2016-04-01 |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-080-8/come-non-si-fa-un-romanzo/ |
dc.identifier.doi |
10.14277/6969-068-6/RiB-1-25 |
dc.identifier.issn |
2610-8844 |
dc.identifier.eissn |
2610-9360 |
dc.identifier.isbn |
978-88-6969-080-8 |
dc.identifier.eisbn |
978-88-6969-068-6 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
no |
dc.subject |
Henry James |
dc.subject |
Henry James |
dc.subject |
Metaliterature |
dc.subject |
Metaliterature |
dc.subject |
Miguel de Unamuno |
dc.subject |
Miguel de Unamuno |
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