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Capitolo | El paréntesis como arquitectura en Aub, Borges, Cervantes y Pessoa
El paréntesis como arquitectura en Aub, Borges, Cervantes y Pessoa
(o dibujar signos ortográficos para construir espacios)
Abstract
This chapter discusses parentheses as a graphic expression and its ability to delimit spaces within a text. We study, using exemplary cases, how parentheses have been inscribed with the aim of constructing spaces (verbal and architectural). The orthographic sign as a place, as a delimitation of boundaries and as primary architecture is also investigated in several works by Max Aub and Jorge Ibargüengoitia; Fernando Pessoa through Álvaro de Campos; William Faulkner as translated by Jorge Luis Borges and, in reversed chronology, also in Miguel de Cervantes and Anne Carson. In conclusion, the concept of parenthetic space is proposed as a denomination and is defined as a concept.
Presentato: 14 Aprile 2020 | Pubblicato 09 Luglio 2020 | Lingua: es
Keywords Aub : Ibargüengoitia • Cervantes : Carson • Parenthesis : Architecture • Borges : Faulkner • Pessoa : Campos
Copyright © 2020 José Joaquín Parra Bañón. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-432-5/002
