Building Common Ground

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Campo DC	Valore
dc.identifier	ECF_book_662
dc.creator	Guaraldo Emiliano
dc.title	Building Common Ground. Ecological Art Practices and Human-Nonhuman Knowledges
dc.type	Miscellanea
dc.language.iso	en
dc.description.abstract	This volume examines the entanglements between contemporary art practices, ecology, and non-human subjects through contributions from scholars, art writers, critics, artist-researchers and designers. The collected essays reveal contemporary art’s potential to reorient epistemological and ontological coordinates amid ecological and existential crises, questioning human exceptionalism and the exploitative logics of extractivism and planetary industrialization. Central to the volume are issues of environmental degradation and violence, racial capitalism, colonial legacies, the emergence of the Anthropocene, in relation to the diverse terrain of contemporary art practices. Emphasizing the agency of more-than-human collaborators, from animals to microbial ecologies, and from oceans to nuclear waste, these practices expose injustices, reclaim damaged ecosystems, and propose alternative ways of being in and with the planet. Artist-researchers contribute perspectives that open up new avenues for knowledge creation in the disrupted landscapes of the Anthropocene, pointing to symbiotic relationships between humans and non-human entities that are only beginning to be explored. By sharing theoretical frameworks and languages, the artists’ and writers’ contributions make clear that the environmental crises impacting the ecosystems require new collaborations to build common epistemological grounds, and shared visions of planetary futures.
dc.relation.ispartof	The Future Contemporary
dc.identifier.doi	10.30687/978-88-6969-756-2
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.issued	2023-12-14
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-756-2/
dc.identifier.issn	2785-1613
dc.identifier.eissn	2785-0986
dc.identifier.isbn
dc.identifier.eisbn	978-88-6969-756-2
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Anthropocene
dc.subject	Anthropocene
dc.subject	Architecture
dc.subject	Archiving method
dc.subject	Art practices
dc.subject	Aurality
dc.subject	Biopolitics
dc.subject	Birdsong
dc.subject	Blackbird
dc.subject	Colonialism
dc.subject	Contemporary art
dc.subject	Contemporary art
dc.subject	Coppice
dc.subject	Cosmopolitics
dc.subject	Cultural heritage-making
dc.subject	Eco-art
dc.subject	Ecological art practices
dc.subject	Ecology
dc.subject	Ecology
dc.subject	Ecology
dc.subject	Ecomaterialism
dc.subject	Ecosystems
dc.subject	Environment
dc.subject	Extraction
dc.subject	Extraction
dc.subject	Imagining otherwise
dc.subject	Materiality
dc.subject	Mediterranean Sea
dc.subject	Migration
dc.subject	Mimicry
dc.subject	Multispecies
dc.subject	Multispecies studies
dc.subject	Narratives
dc.subject	Networks
dc.subject	Non-human animals
dc.subject	Nuclear knowledge
dc.subject	Permaculture
dc.subject	Plantationocene
dc.subject	Platforms
dc.subject	Pluriversal ontologies
dc.subject	Racialized labour
dc.subject	Radioactive legacies
dc.subject	Re-worlding
dc.subject	Regionalism
dc.subject	Speculative practices
dc.subject	Spores
dc.subject	Synesthesia
dc.subject	Toxicity
dc.subject	Vernacular design
dc.subject	Visitation
dc.subject	Visual Art
dc.subject	Water
dc.subject	Woodland

Miscellanea
open access peer reviewed

Ecological Art Practices and Human-Nonhuman Knowledges

a cura di

Emiliano Guaraldo Università Ca’ Foscari Venezia, Italia

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abstract

This volume examines the entanglements between contemporary art practices, ecology, and non-human subjects through contributions from scholars, art writers, critics, artist-researchers and designers. The collected essays reveal contemporary art’s potential to reorient epistemological and ontological coordinates amid ecological and existential crises, questioning human exceptionalism and the exploitative logics of extractivism and planetary industrialization. Central to the volume are issues of environmental degradation and violence, racial capitalism, colonial legacies, the emergence of the Anthropocene, in relation to the diverse terrain of contemporary art practices. Emphasizing the agency of more-than-human collaborators, from animals to microbial ecologies, and from oceans to nuclear waste, these practices expose injustices, reclaim damaged ecosystems, and propose alternative ways of being in and with the planet. Artist-researchers contribute perspectives that open up new avenues for knowledge creation in the disrupted landscapes of the Anthropocene, pointing to symbiotic relationships between humans and non-human entities that are only beginning to be explored. By sharing theoretical frameworks and languages, the artists’ and writers’ contributions make clear that the environmental crises impacting the ecosystems require new collaborations to build common epistemological grounds, and shared visions of planetary futures.

Pubblicato

14 Dicembre 2023

Lingua

ISBN (EBOOK)

978-88-6969-756-2

Keywords

Colonialism • Art practices • Coppice • Extraction • Archiving method • Blackbird • Pluriversal ontologies • Water • Narratives • Regionalism • Cultural heritage-making • Biopolitics • Racialized labour • Re-worlding • Eco-art • Non-human animals • Plantationocene • Ecosystems • Platforms • Multispecies • Permaculture • Mediterranean Sea • Synesthesia • Networks • Contemporary art • Nuclear knowledge • Speculative practices • Architecture • Migration • Vernacular design • Ecological art practices • Woodland • Visual Art • Anthropocene • Materiality • Birdsong • Mimicry • Radioactive legacies • Imagining otherwise • Ecomaterialism • Toxicity • Visitation • Multispecies studies • Ecology • Aurality • Cosmopolitics • Environment • Spores

permalink http://doi.org/10.30687/978-88-6969-756-2

Copyright: © 2023 Emiliano Guaraldo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Sommario

Preface

Cristina Baldacci

14 Dicembre 2023

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Introduction

Emiliano Guaraldo

14 Dicembre 2023

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Section 1. Collaborations with the Non-Human World

Exploring the Role of Non-Human Animals in Contemporary Art: As Objects, Matter, and Collaborators

Davide Tolfo

14 Dicembre 2023

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133 view
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Blackbird Songs: More-than-Human Aural Histories in the Anthropocene

Concepción Cortés Zulueta

14 Dicembre 2023

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61 view

With the Wild

Artmaking as Collaboration with Wild Landscapes and Their Inhabitants

Pietro Consolandi

14 Dicembre 2023

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59 view
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Section 2. Landscapes of the Anthropocene

Enchanted Cutaway: Nurturing Imaginations through Regrowth and Remembrance in the Altered Landscape of the Weald (UK)

Sam Risley

14 Dicembre 2023

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Uprooting Silicon Prairie

Matthew Darmour-Paul

14 Dicembre 2023

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42 view

Section 3. Invisible Agencies

Reintegrating Nuclear Knowledge Through Contemporary Art

Transforming Repositories into Living Archives

Giulia Melchionda

14 Dicembre 2023

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104 view
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Metaspore: Cosmopolitical Biopolitics and Multispecies Potentialities in Anicka Yi’s Ecoart

Ludovica Montecchio

14 Dicembre 2023

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77 view
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Section 4. Racial Ecologies and Extractive Violence

Exploring the Plantationocene Through Works by Otobong Nkanga

Rebecka Öhrström Kann

14 Dicembre 2023

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63 view
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Wasting Trajectories and Generative Ecologies: Leone Contini’s Foreign Farmers

Tommaso Gonzo Giovanni Lorenzi

14 Dicembre 2023

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267 view
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Just Who I Am

Zoë Fitzpatrick Rogers

14 Dicembre 2023

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48 view
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Coda

Geological Pasts, Speculative Futures: A conversation with Beate Geissler and Oliver Sann

Emiliano Guaraldo

14 Dicembre 2023

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94 view
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Citazioni verso questo capitolo

How to cite

Sommario

Section 1. Collaborations with the Non-Human World

Section 2. Landscapes of the Anthropocene

Section 3. Invisible Agencies

Section 4. Racial Ecologies and Extractive Violence

Coda