Rivista | Annali di Ca’ Foscari. Serie orientale
Fascicolo | 60 | 2024
Articolo | Old ‘Women’ on the Stage
Old ‘Women’ on the Stage
Actorship and the Aging Body in the Works of Enchi Fumiko
Abstract
Enchi Fumiko’s literature has frequently faced the topic of ageing, especially focused on the bodily decay from the point of view of disease or loss of beauty and femininity and often in reference to the double standard adopted for female and male bodies. In this paper, focusing mainly on the novel Komachi hensō (1965) and the short story “Futaomote” (1959), I analyse how in Enchi’s works the figure of the actress and the one of the onnagata actor perceive the process of ageing vis-à-vis their gender and sexuality. The onnagata and the actress experience a real loss of identity when facing age, since the success they have lived has almost been based on the charm of their figure on the stage. In this paper I analyse how the protagonists cope with the reality of ageing, comparing their reaction with regard to their gender and sexuality. By looking from a peculiar perspective the idea of the ‘female’ decaying body, I aim at giving a further contribution to the already rich scholarship on the vision of ageing in Enchi’s literature. Moreover, I aim to demonstrate that the foundational elements of Enchi’s series of works, known as rōjomono or ‘works on old women’, typically believed to have originated in the 1970s, were in fact established as early as the late 1950s.
Presentato: 26 Febbraio 2024 | Accettato: 06 Maggio 2024 | Pubblicato 25 Luglio 2024 | Lingua: en
Keywords Enchi Fumiko • Image of femininity • Aging body • Actorship • Rōjomono
Copyright © 2024 Daniela Moro. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2024/01/013
