Archivio d’Annunzio

Rivista di Studi comparati

4 | 2017

open access | peer reviewed
Abstract

Keywords Acting • Figlia di Iorio • Publicity launch • Royal School of Acting, Florence • Denarrativisation • Stage • Film music • Direction • Actor and dramatist • La Nave • Trampled dignity • Dramatic writing • Russian theatre • Death • Phoné • Plays • Valerij Brjusov • Silent cinema • Tragedy • D’Annunzio • Symbolism • Eleonora Duse • Grotesque melodrama • Career • Valerij Brjusov • Theatre production • Sleep • Ruggeri • Early sound cinema • Violence and humiliations • Nikolay Evreinov • Alexander Lensky • Writing • Actor • Dramatist • Dramaturgy • Francesca da Rimini • Stage directions • Pirandello • Candour • Carmelo Bene • Episcopo, the ridicolous man • Malyj Theater • Madness • Changes • Acting techniques • Myth • Translation • Models • Abba • Musical Dramaturgy • Gabriellino d’Annunzio • Theatre • Tragedies • Vera Komissarzhevskaya • Luigi Rasi • Fears • Vanguard • De Chirico • Betrayed sentiments • Ekphrasis • French literature • Loves

Permalink http://doi.org/10.14277/2421-292X/AdA-4 | Pubblicato 05 Ottobre 2017 | Lingua it

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