Archivio d’Annunzio

Rivista di Studi comparati

4 | 2017

open access | peer reviewed
Abstract

Keywords Theatre • Valerij Brjusov • La Nave • Tragedy • Actor and dramatist • Career • Vanguard • Abba • Royal School of Acting, Florence • Early sound cinema • D’Annunzio • Loves • Phoné • Violence and humiliations • Episcopo, the ridicolous man • Grotesque melodrama • Myth • Russian theatre • Musical Dramaturgy • Denarrativisation • Stage directions • Valerij Brjusov • Candour • Death • Direction • Acting • Sleep • Luigi Rasi • Ekphrasis • Actor • Film music • Trampled dignity • Dramatic writing • Dramatist • Eleonora Duse • Fears • Theatre production • Francesca da Rimini • Gabriellino d’Annunzio • Stage • Betrayed sentiments • Madness • Symbolism • Malyj Theater • Ruggeri • Silent cinema • Nikolay Evreinov • Publicity launch • French literature • Acting techniques • Tragedies • Carmelo Bene • Figlia di Iorio • De Chirico • Changes • Alexander Lensky • Dramaturgy • Models • Pirandello • Translation • Plays • Writing • Vera Komissarzhevskaya

Permalink http://doi.org/10.14277/2421-292X/AdA-4 | Pubblicato 05 Ottobre 2017 | Lingua it

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