Archivio d’Annunzio

Rivista di Studi comparati

4 | 2017

open access | peer reviewed
Abstract

Keywords Dramatist • Vera Komissarzhevskaya • Abba • Symbolism • Madness • Actor • Musical Dramaturgy • Carmelo Bene • Career • Alexander Lensky • Figlia di Iorio • Valerij Brjusov • Fears • Grotesque melodrama • French literature • Film music • Valerij Brjusov • Francesca da Rimini • Nikolay Evreinov • La Nave • Phoné • Betrayed sentiments • Tragedies • Tragedy • Royal School of Acting, Florence • Early sound cinema • Actor and dramatist • Acting techniques • Vanguard • Denarrativisation • Dramaturgy • Russian theatre • Sleep • Luigi Rasi • Acting • Violence and humiliations • Models • Theatre • Writing • Stage • Stage directions • Candour • Gabriellino d’Annunzio • Silent cinema • Pirandello • Eleonora Duse • Myth • Trampled dignity • Ekphrasis • Dramatic writing • D’Annunzio • Theatre production • Direction • Malyj Theater • Publicity launch • Death • Episcopo, the ridicolous man • Plays • Ruggeri • De Chirico • Translation • Loves • Changes

Permalink http://doi.org/10.14277/2421-292X/AdA-4 | Pubblicato 05 Ottobre 2017 | Lingua it

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