12 | 2025

open access | peer reviewed

Keywords Borges • Tristram Shandy • Interwar literature • Literary impressionism • Practices • Romantic poetry • Spots of time • Serialization • Don Quixote • Slavery • Interpretations • Christoph Martin Wieland • Ethel Mannin • Social conventions • Rabelais • Tess • Adaptation in Dictionary-making • Literary textiles • Literature and science • Oxford English Dictionary • Author’s Implication • Theories • Thomas Hardy • Literary adaptation • Japaneseness • Paul et Virginie • Eighteenth century • Modernist autobiography • The Young Kazuo • Semiotics • Samuel Dyer • Printed fabrics • Middlebrow • Empire • William Petty • William Perry • Memory • Geographical Moves • Cervantes • Working Class • Comparative Literature • Forgetting • Alliterative Names • Edmund Burke • Gaze • Enlightenment • Adaptation • Moments of being • Originals and Shadows • Modernism • Newspapers • Samuel Johnson’s Dictionary • The Memoirs of Martinus Scriblerus • Magazines • Toiles de Nantes • Toiles de Jouy • Laurence Sterne • Virginia Woolf • Eighteenth-century Lexicography

Permalink http://doi.org/10.30687/EL/2420-823X/2025/12 | Pubblicato 11 Maggio 2026 | Lingua en