Il Tolomeo

Rivista di studi postcoloniali | A Postcolonial Studies Journal | Journal d’études postcoloniales | Revista de estudos pós-coloniais

24 | 2022

open access | peer reviewed

Keywords Francophonie • Intermediality • The Souls of Black Folk • Rap music • Diego Garcia • Chika Unigwe • Haitian literature • Post-colonial • Memoirs • The trafficking of Nigerian women • Edouard Glissant • Malemort • Citizenship • Cinematography • Postcolonialism • Romantic epic • Postcolonial identity and subjectivity • Caribbean ethnopoetics • Intercultural communication • Reception of Haitian literature • Enactment • Affective focalization • Gender • La Lézarde • Narrativity • Transmediality • Global society • Black Literature; Intersectionality; Displacement; • Sublime beauty • Youssoupha • Négritude • Missionary discourse • Transmedia narratology • Double consciousness • Trauma • Borders • Italian translations • La discrétion • Definitional linguistic activity • Emotions • Embodied cognition • Empathy • Du Bois • Ennio Flaiano • Literary journals • Cultural difference • Beur • spoliation • Healing • Music • Faïza Guène • Sound studies • Quebec literature • popular culture • Patriarchy • Multimodal mental imagery • Classics • Migration • exile • Archipelago aesthetics • Aimé Césaire • Spirituals

Permalink http://doi.org/10.30687/Tol/2499-5975/2022/01 | Pubblicato 19 Dicembre 2022 | Lingua fr, en, it, pt

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.