L’obiettivo del Generale

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Campo DC	Valore
dc.identifier	ECF_article_434
dc.title	L’obiettivo del Generale. L’immagine di Garibaldi durante la Spedizione dei Mille tra fotografia e pittura
dc.contributor.author	Brevetti Giulio
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.type	Articolo
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/mdccc-1800/2012/1/lobiettivo-del-generale/
dc.description.abstract	In the figurative history of the Italian Resurgence (Risorgimento), a special place is occupied by the most famous and popular character of the time, Giuseppe Garibaldi, a true, skilled expert of photography and its potentialities. During the Expedition of the One-Thousand (Spedizione dei Mille) in 1860, his features and his deeds are immortalized on glass plates and on canvas by many photographers and patriot-artists he met along the walk. And it is really the relationship between these two art forms, as well as their mutual influence, which characterizes the brief but intense figurative production of the «Hero of Two Worlds» during the most legendary episode of the Italian Risorgimento.
dc.relation.ispartof	MDCCC 1800
dc.relation.ispartof	Vol. 1 \| Luglio 2012
dc.issued	2012-07-25
dc.identifier.issn
dc.identifier.eissn	2280-8841
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.14277/2280-8841/MDCCC-1-12-6
dc.peer-review	yes

Articolo
open access peer reviewed

L’immagine di Garibaldi durante la Spedizione dei Mille tra fotografia e pittura

Giulio Brevetti -

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abstract

In the figurative history of the Italian Resurgence (Risorgimento), a special place is occupied by the most famous and popular character of the time, Giuseppe Garibaldi, a true, skilled expert of photography and its potentialities. During the Expedition of the One-Thousand (Spedizione dei Mille) in 1860, his features and his deeds are immortalized on glass plates and on canvas by many photographers and patriot-artists he met along the walk. And it is really the relationship between these two art forms, as well as their mutual influence, which characterizes the brief but intense figurative production of the «Hero of Two Worlds» during the most legendary episode of the Italian Risorgimento.

Pubblicato

25 Luglio 2012

Lingua

permalink http://doi.org/10.14277/2280-8841/MDCCC-1-12-6

Copyright: © 2012 Giulio Brevetti. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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