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Disvelando pale, effigi e panneggi

Le ricognizioni danesi di Crowe e Cavalcaselle

Fabio Franz    University of Warwick, PhD candidate    

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abstract

Art-historical partners J. A. Crowe (1851) and G. B. Cavalcaselle (1865) made individual surveys in Denmark. This paper speculates on their interactions with Danish expert N. L. Høyen. It focuses on Cavalcaselle’s Danish sketches (Marciana, Venice). It also offers new perspectives on G. F. Waagen’s stay in Copenhagen (1868). It expounds on the fortuna and conservation history of the Man of Sorrow by Mantegna, the alleged Portrait of Antonio Galli and other – mostly Valenti Gonzaga – paintings now in the Statens Museum for Kunst. It investigates the 19th-century criticism of draperies by Mantegna and Leonardo. It hypothesyses the identification of a Portrait of Thomas Gresham.

Pubblicato
31 Luglio 2018
Accettato
06 Giugno 2018
Presentato
15 Maggio 2018
Lingua
IT

Keywords: Andrea MantegnaValenti GonzagaLTitianConnoisseurshipNHøyen

Copyright: © 2018 Fabio Franz. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.