7 | 2018

Keywords Cultural exchanges • Stanze a boschereccia • Academy of Arcadia • Joseph Michael Gandy • Andrea Mantegna • Dante’s mask • L’Art Moderne • Pattern book • 19th Century French paintings • Charles Heathcote Tatham • Francesco Hayez • Ingres • Arcadian Iconography • Koch • Ambrogio Uboldo • Grand Tour • Impressionism • Paul Delaroche • N • Getty Research Institute • Raffaele Vincenzo Barone • Rome • Cottages • Salon • Mural painting • Veit • L • 19th Century Italian paintings • Degas • Connoisseurship • Belgium • La Jeune Belgique • George Augustus Wallis • Høyen • Art collections • Theatre decoration • Titian • Valenti Gonzaga • Giuseppe Sogni • Experimental series • Vittorio Pica • Delacroix • Milan • Applied arts • Etchings • Mussini • Brera • James Malton • Cernusco sul Naviglio • Claude Monet • Giuseppe De Nittis • Picturesque • Argentinian art • Papal states • Matteo Casella • Market • Abbozzo

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Pubblicato 31 Luglio 2018 | Lingua es, it

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