7 | 2018

Keywords Koch • Brera • 19th Century Italian paintings • Cernusco sul Naviglio • Degas • Papal states • Applied arts • James Malton • Francesco Hayez • Picturesque • Belgium • Valenti Gonzaga • Vittorio Pica • Pattern book • Høyen • La Jeune Belgique • Arcadian Iconography • Stanze a boschereccia • Mussini • Abbozzo • Argentinian art • Veit • Charles Heathcote Tatham • Matteo Casella • Andrea Mantegna • Titian • Connoisseurship • Rome • Mural painting • Dante’s mask • L • Cultural exchanges • Academy of Arcadia • Salon • Art collections • Theatre decoration • Etchings • L’Art Moderne • Paul Delaroche • Ingres • N • Grand Tour • Getty Research Institute • Experimental series • Impressionism • George Augustus Wallis • Cottages • Ambrogio Uboldo • Delacroix • Giuseppe De Nittis • Joseph Michael Gandy • 19th Century French paintings • Raffaele Vincenzo Barone • Market • Giuseppe Sogni • Milan • Claude Monet

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Pubblicato 31 Luglio 2018 | Lingua it, es

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