7 | 2018

Keywords Brera • Matteo Casella • N • Degas • L • Dante’s mask • Cultural exchanges • Veit • Grand Tour • George Augustus Wallis • Pattern book • Papal states • Experimental series • Ingres • Valenti Gonzaga • Andrea Mantegna • Art collections • La Jeune Belgique • Høyen • Francesco Hayez • Applied arts • Impressionism • Charles Heathcote Tatham • Milan • Claude Monet • Arcadian Iconography • 19th Century Italian paintings • James Malton • Stanze a boschereccia • Koch • Vittorio Pica • Paul Delaroche • Belgium • Joseph Michael Gandy • Connoisseurship • Giuseppe De Nittis • Ambrogio Uboldo • Mussini • Raffaele Vincenzo Barone • Rome • Abbozzo • Getty Research Institute • 19th Century French paintings • Delacroix • Academy of Arcadia • Etchings • Cottages • Cernusco sul Naviglio • Market • Mural painting • Picturesque • Salon • Theatre decoration • L’Art Moderne • Titian • Argentinian art • Giuseppe Sogni

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Pubblicato 31 Luglio 2018 | Lingua es, it

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