7 | 2018

Keywords Academy of Arcadia • Giuseppe De Nittis • Ambrogio Uboldo • 19th Century Italian paintings • L’Art Moderne • Giuseppe Sogni • Ingres • Salon • Arcadian Iconography • L • Milan • Mural painting • Connoisseurship • Francesco Hayez • Veit • George Augustus Wallis • Art collections • Dante’s mask • Getty Research Institute • James Malton • Delacroix • Valenti Gonzaga • Cultural exchanges • Belgium • Claude Monet • Grand Tour • Impressionism • Matteo Casella • Cernusco sul Naviglio • Cottages • Paul Delaroche • Argentinian art • Papal states • Market • Mussini • N • Applied arts • Abbozzo • Andrea Mantegna • Brera • Theatre decoration • Picturesque • Joseph Michael Gandy • La Jeune Belgique • Pattern book • Etchings • Degas • 19th Century French paintings • Rome • Koch • Titian • Vittorio Pica • Høyen • Raffaele Vincenzo Barone • Experimental series • Stanze a boschereccia • Charles Heathcote Tatham

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Pubblicato 31 Luglio 2018 | Lingua es, it

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