7 | 2018

Keywords Vittorio Pica • Ambrogio Uboldo • Cottages • Francesco Hayez • Stanze a boschereccia • Giuseppe De Nittis • George Augustus Wallis • Brera • Papal states • Abbozzo • Matteo Casella • Valenti Gonzaga • Impressionism • Paul Delaroche • Delacroix • Charles Heathcote Tatham • Rome • Mural painting • Milan • James Malton • Veit • Getty Research Institute • Grand Tour • Argentinian art • Picturesque • 19th Century French paintings • Mussini • L’Art Moderne • Pattern book • Cernusco sul Naviglio • Ingres • Dante’s mask • Degas • Arcadian Iconography • Claude Monet • Market • Applied arts • Theatre decoration • Andrea Mantegna • Academy of Arcadia • N • L • Koch • 19th Century Italian paintings • Experimental series • La Jeune Belgique • Salon • Belgium • Giuseppe Sogni • Raffaele Vincenzo Barone • Connoisseurship • Titian • Etchings • Høyen • Joseph Michael Gandy • Art collections • Cultural exchanges

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Pubblicato 31 Luglio 2018 | Lingua es, it

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