MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords Lombardy • Landscape painting • Persia • Liberty • Giacomo Salvadori • Avant-garde Exhibitions • American Art • Adolfo Hohenstein • Art nouveau • Mosaic • Ottoman Empire • Ottoman Turkey • Islamic Art • Eclecticism • Carlo Ceppi • Imperial Fine Arts Academy • Como • Alessandro Volta • American Artists • Display • Peredvizhniki • World’s Fair • Glasswork • Art Exhibition • Vienna • Fin-de-siècle • Decorative arts • Costantino Gilodi • Eugenio Linati • Industrial arts • Paris 1867 • Russian painters in America • Russian fine art • Emilio Longoni • Colonialism • Divisionismo • Khedive Ismail • Simbolism • Photography • World Fairs • Antonio Salviati • Commission of monuments • Exhibition • Exposition Universelle • Murano • Egypt • Paris • Cosmopolitanism • Weltausstellung • Heritage • Surrealism • Expositions Universelles • World’s Columbian Exposition • Zaragoza

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Pubblicato 31 Luglio 2017 | Lingua en, it

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