MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords Industrial arts • Avant-garde Exhibitions • Photography • Display • Paris • World Fairs • Art nouveau • Mosaic • Russian fine art • Imperial Fine Arts Academy • Peredvizhniki • Zaragoza • Simbolism • Lombardy • Cosmopolitanism • Persia • Islamic Art • Glasswork • Weltausstellung • Emilio Longoni • Antonio Salviati • Carlo Ceppi • Fin-de-siècle • Alessandro Volta • Expositions Universelles • Adolfo Hohenstein • Ottoman Turkey • Divisionismo • Murano • Vienna • Khedive Ismail • Exhibition • Giacomo Salvadori • Russian painters in America • Exposition Universelle • Art Exhibition • Eclecticism • Colonialism • Eugenio Linati • Liberty • Paris 1867 • Landscape painting • Como • Costantino Gilodi • Surrealism • Commission of monuments • World’s Fair • American Art • World’s Columbian Exposition • American Artists • Egypt • Ottoman Empire • Decorative arts • Heritage

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Pubblicato 31 Luglio 2017 | Lingua it, en

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.