MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords Exposition Universelle • Display • Como • Commission of monuments • Photography • Heritage • Eugenio Linati • Divisionismo • American Artists • Egypt • Liberty • Ottoman Empire • Antonio Salviati • Murano • Simbolism • Giacomo Salvadori • Peredvizhniki • Industrial arts • Cosmopolitanism • World’s Columbian Exposition • World’s Fair • Weltausstellung • American Art • Emilio Longoni • Khedive Ismail • Landscape painting • Eclecticism • Persia • World Fairs • Islamic Art • Ottoman Turkey • Zaragoza • Fin-de-siècle • Glasswork • Art Exhibition • Exhibition • Costantino Gilodi • Colonialism • Expositions Universelles • Mosaic • Lombardy • Vienna • Decorative arts • Russian fine art • Paris • Russian painters in America • Adolfo Hohenstein • Art nouveau • Carlo Ceppi • Avant-garde Exhibitions • Paris 1867 • Surrealism • Alessandro Volta • Imperial Fine Arts Academy

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Pubblicato 31 Luglio 2017 | Lingua en, it

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