MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords Russian painters in America • American Artists • Mosaic • World’s Columbian Exposition • Vienna • Art nouveau • Display • Peredvizhniki • Antonio Salviati • Divisionismo • Carlo Ceppi • Ottoman Empire • Islamic Art • Imperial Fine Arts Academy • Egypt • Surrealism • Cosmopolitanism • Adolfo Hohenstein • Glasswork • Khedive Ismail • Exhibition • Persia • Paris 1867 • Como • Murano • Zaragoza • Exposition Universelle • Avant-garde Exhibitions • Eugenio Linati • Ottoman Turkey • Emilio Longoni • Decorative arts • Fin-de-siècle • Landscape painting • American Art • Art Exhibition • Heritage • Industrial arts • Liberty • World Fairs • World’s Fair • Paris • Commission of monuments • Eclecticism • Expositions Universelles • Photography • Lombardy • Russian fine art • Weltausstellung • Colonialism • Giacomo Salvadori • Alessandro Volta • Simbolism • Costantino Gilodi

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Pubblicato 31 Luglio 2017 | Lingua it, en

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