MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords Adolfo Hohenstein • Fin-de-siècle • Commission of monuments • Ottoman Empire • Paris 1867 • Art nouveau • Exhibition • Egypt • Eugenio Linati • Art Exhibition • Imperial Fine Arts Academy • Simbolism • Carlo Ceppi • Display • Ottoman Turkey • Como • Mosaic • Heritage • Cosmopolitanism • Divisionismo • Exposition Universelle • Murano • Zaragoza • Eclecticism • Surrealism • World Fairs • Khedive Ismail • Alessandro Volta • World’s Columbian Exposition • Photography • World’s Fair • Russian fine art • Persia • Lombardy • Paris • Antonio Salviati • Weltausstellung • Vienna • Landscape painting • Giacomo Salvadori • Peredvizhniki • Expositions Universelles • Glasswork • American Art • Colonialism • Costantino Gilodi • Liberty • Industrial arts • Islamic Art • Russian painters in America • Decorative arts • Emilio Longoni • American Artists • Avant-garde Exhibitions

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Pubblicato 31 Luglio 2017 | Lingua en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.