MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords Commission of monuments • Simbolism • Vienna • Glasswork • Islamic Art • Antonio Salviati • World Fairs • American Art • World’s Columbian Exposition • Heritage • Surrealism • Art Exhibition • Carlo Ceppi • Adolfo Hohenstein • Avant-garde Exhibitions • Cosmopolitanism • Zaragoza • Mosaic • Paris • Paris 1867 • American Artists • Colonialism • Imperial Fine Arts Academy • Art nouveau • Khedive Ismail • Landscape painting • Como • Weltausstellung • Fin-de-siècle • Russian painters in America • Emilio Longoni • World’s Fair • Eugenio Linati • Liberty • Exhibition • Murano • Costantino Gilodi • Photography • Giacomo Salvadori • Display • Alessandro Volta • Divisionismo • Peredvizhniki • Russian fine art • Industrial arts • Exposition Universelle • Expositions Universelles • Ottoman Turkey • Egypt • Lombardy • Decorative arts • Ottoman Empire • Eclecticism • Persia

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Published July 31, 2017 | Language en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.