MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords Ottoman Empire • Weltausstellung • American Art • Landscape painting • Antonio Salviati • Zaragoza • World’s Columbian Exposition • Vienna • Photography • Russian fine art • Industrial arts • Como • Carlo Ceppi • Imperial Fine Arts Academy • Paris • Art Exhibition • Emilio Longoni • Avant-garde Exhibitions • World’s Fair • Khedive Ismail • Persia • Cosmopolitanism • Glasswork • Ottoman Turkey • Costantino Gilodi • Eclecticism • American Artists • Expositions Universelles • Giacomo Salvadori • World Fairs • Decorative arts • Exposition Universelle • Peredvizhniki • Adolfo Hohenstein • Art nouveau • Heritage • Commission of monuments • Fin-de-siècle • Display • Islamic Art • Lombardy • Russian painters in America • Colonialism • Paris 1867 • Exhibition • Simbolism • Alessandro Volta • Divisionismo • Surrealism • Eugenio Linati • Mosaic • Egypt • Liberty • Murano

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Published July 31, 2017 | Language en, it

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