MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords American Art • Carlo Ceppi • Fin-de-siècle • Khedive Ismail • Russian fine art • Zaragoza • Photography • Surrealism • Weltausstellung • World’s Fair • Alessandro Volta • Art Exhibition • Imperial Fine Arts Academy • Como • Display • Glasswork • Landscape painting • Russian painters in America • American Artists • Industrial arts • Costantino Gilodi • Emilio Longoni • Lombardy • Peredvizhniki • Heritage • Cosmopolitanism • Eugenio Linati • Art nouveau • Paris 1867 • Simbolism • Avant-garde Exhibitions • Murano • Mosaic • Decorative arts • Adolfo Hohenstein • Commission of monuments • Liberty • Egypt • Giacomo Salvadori • Expositions Universelles • Ottoman Empire • Persia • World Fairs • Antonio Salviati • Eclecticism • Exhibition • Ottoman Turkey • Divisionismo • Vienna • World’s Columbian Exposition • Islamic Art • Paris • Colonialism • Exposition Universelle

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Published July 31, 2017 | Language it, en

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