MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords World’s Columbian Exposition • Expositions Universelles • Egypt • Islamic Art • Commission of monuments • Russian fine art • Carlo Ceppi • Exposition Universelle • Photography • Industrial arts • Zaragoza • Murano • Divisionismo • Landscape painting • Glasswork • Persia • Russian painters in America • World Fairs • Alessandro Volta • Mosaic • American Artists • Adolfo Hohenstein • Giacomo Salvadori • Cosmopolitanism • Paris 1867 • World’s Fair • Ottoman Empire • Liberty • Avant-garde Exhibitions • Lombardy • Display • Paris • Eugenio Linati • Colonialism • Emilio Longoni • Peredvizhniki • Eclecticism • Exhibition • Imperial Fine Arts Academy • Heritage • Weltausstellung • Art nouveau • American Art • Art Exhibition • Ottoman Turkey • Surrealism • Simbolism • Decorative arts • Fin-de-siècle • Vienna • Como • Costantino Gilodi • Antonio Salviati • Khedive Ismail

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Published July 31, 2017 | Language en, it

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