MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords Surrealism • Paris 1867 • Mosaic • Costantino Gilodi • Expositions Universelles • Como • Weltausstellung • Colonialism • Imperial Fine Arts Academy • Art nouveau • Decorative arts • Eugenio Linati • Emilio Longoni • Ottoman Empire • Paris • Landscape painting • Russian painters in America • Giacomo Salvadori • Cosmopolitanism • Photography • Simbolism • Vienna • Lombardy • Carlo Ceppi • Antonio Salviati • World’s Columbian Exposition • American Artists • Exhibition • Glasswork • Eclecticism • Exposition Universelle • Divisionismo • Commission of monuments • Fin-de-siècle • Heritage • Liberty • Art Exhibition • Alessandro Volta • Adolfo Hohenstein • Islamic Art • Murano • Industrial arts • Russian fine art • World’s Fair • American Art • Ottoman Turkey • Persia • Khedive Ismail • Egypt • World Fairs • Display • Peredvizhniki • Zaragoza • Avant-garde Exhibitions

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Published July 31, 2017 | Language en, it

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