7 | 2018

Keywords Connoisseurship • L’Art Moderne • Titian • Art collections • Ingres • Andrea Mantegna • 19th Century French paintings • Academy of Arcadia • Experimental series • Market • L • Rome • La Jeune Belgique • Papal states • Giuseppe Sogni • Abbozzo • James Malton • Claude Monet • Grand Tour • Joseph Michael Gandy • Cultural exchanges • Salon • Cottages • Degas • Charles Heathcote Tatham • Getty Research Institute • Milan • Picturesque • Arcadian Iconography • Mural painting • Høyen • Dante’s mask • Vittorio Pica • N • Giuseppe De Nittis • Stanze a boschereccia • Paul Delaroche • Mussini • Argentinian art • Belgium • Raffaele Vincenzo Barone • Valenti Gonzaga • Brera • 19th Century Italian paintings • Ambrogio Uboldo • Etchings • Cernusco sul Naviglio • Francesco Hayez • Theatre decoration • Applied arts • Impressionism • Delacroix • Koch • Matteo Casella • George Augustus Wallis • Veit • Pattern book

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Published July 31, 2018 | Language it, es

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