7 | 2018

Keywords Grand Tour • Experimental series • Høyen • 19th Century Italian paintings • Paul Delaroche • Raffaele Vincenzo Barone • Rome • Titian • Giuseppe Sogni • Delacroix • Joseph Michael Gandy • Charles Heathcote Tatham • Art collections • Mussini • Abbozzo • Mural painting • Dante’s mask • Andrea Mantegna • L • Brera • Cernusco sul Naviglio • Cottages • Market • La Jeune Belgique • Picturesque • Argentinian art • Stanze a boschereccia • Ambrogio Uboldo • George Augustus Wallis • Applied arts • Veit • Milan • Papal states • Ingres • Salon • Academy of Arcadia • Cultural exchanges • Koch • Connoisseurship • Theatre decoration • Etchings • Giuseppe De Nittis • Valenti Gonzaga • Vittorio Pica • L’Art Moderne • Arcadian Iconography • Getty Research Institute • Francesco Hayez • Claude Monet • N • Pattern book • Belgium • Matteo Casella • 19th Century French paintings • James Malton • Degas • Impressionism

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Published July 31, 2018 | Language es, it

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