7 | 2018

Keywords Matteo Casella • Veit • Paul Delaroche • Mussini • Cottages • Charles Heathcote Tatham • Vittorio Pica • Cultural exchanges • L’Art Moderne • Giuseppe Sogni • Valenti Gonzaga • Arcadian Iconography • Papal states • Grand Tour • George Augustus Wallis • La Jeune Belgique • N • Milan • Applied arts • Cernusco sul Naviglio • Claude Monet • Belgium • Delacroix • Koch • Ambrogio Uboldo • Francesco Hayez • Argentinian art • Experimental series • Etchings • Ingres • Pattern book • Degas • Theatre decoration • Getty Research Institute • Art collections • Salon • Stanze a boschereccia • Høyen • Dante’s mask • Connoisseurship • Raffaele Vincenzo Barone • Mural painting • Brera • Academy of Arcadia • 19th Century Italian paintings • L • Giuseppe De Nittis • Impressionism • Rome • 19th Century French paintings • Andrea Mantegna • Titian • Abbozzo • James Malton • Joseph Michael Gandy • Picturesque • Market

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Published July 31, 2018 | Language es, it

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