7 | 2018

Keywords Charles Heathcote Tatham • Applied arts • Connoisseurship • Getty Research Institute • La Jeune Belgique • Delacroix • Picturesque • Claude Monet • Cernusco sul Naviglio • Etchings • Academy of Arcadia • Koch • Theatre decoration • Paul Delaroche • Mural painting • James Malton • Matteo Casella • Vittorio Pica • Cottages • L • George Augustus Wallis • Ambrogio Uboldo • Rome • Papal states • Brera • Raffaele Vincenzo Barone • Ingres • Pattern book • Valenti Gonzaga • Experimental series • Salon • Andrea Mantegna • Grand Tour • Impressionism • 19th Century Italian paintings • Cultural exchanges • Market • Mussini • Veit • Stanze a boschereccia • N • 19th Century French paintings • Milan • Degas • Joseph Michael Gandy • Belgium • Giuseppe De Nittis • Giuseppe Sogni • L’Art Moderne • Høyen • Titian • Art collections • Arcadian Iconography • Dante’s mask • Argentinian art • Francesco Hayez • Abbozzo

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Published July 31, 2018 | Language it, es

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