Il mercato artistico nel carteggio fra Michelangelo Gualandi e Charles…

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Campo DC	Valore
dc.identifier	ECF_article_4004
dc.title	Il mercato artistico nel carteggio fra Michelangelo Gualandi e Charles Lock Eastlake (1855-1865): un’introduzione
dc.contributor.author	Mazzaferro Giovanni
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.type	Articolo
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/mdccc-1800/2020/1/il-mercato-artistico-nel-carteggio-fra-michelangel/
dc.description.abstract	Born in Bologna in the late XIX century, Michelangelo Gualandi was trained as a tradesman. Studying art as a self-taught, he was able to establish himself as an art amateur and as a learned man, without however really ever abandoning his involvement in art trade. From 1855 he was agent of Charles Lock Eastlake, the first director of the National Gallery, and collaborated with him in the acquisition of paintings until the death of the Englishman, in 1865. Based on the recently rediscovered correspondence between Eastlake, other English connoisseurs and Gualandi, this article presents brand new information we can gain from the correspondence on both successful and failed purchases. Particular attention is paid to the aspects related to the modalities through which the sales took place.
dc.relation.ispartof	MDCCC 1800
dc.relation.ispartof	Vol. 9 \| Luglio 2020
dc.issued	2020-12-10
dc.dateAccepted	2020-05-12
dc.dateSubmitted	2020-03-20
dc.identifier.issn
dc.identifier.eissn	2280-8841
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/MDCCC/2280-8841/2020/01/005
dc.peer-review	yes
dc.subject	Bologna
dc.subject	Bologna
dc.subject	Charles Lock Eastlake
dc.subject	Charles Lock Eastlake
dc.subject	Elizabeth Rigby
dc.subject	Elizabeth Rigby
dc.subject	Michelangelo Gualandi
dc.subject	Michelangelo Gualandi
dc.subject	National Gallery
dc.subject	National Gallery
dc.subject	Otto Mündler
dc.subject	Otto Mündler
dc.subject	William Boxall
dc.subject	William Boxall
dc.subject	XIX century art market
dc.subject	XIX century art market

Articolo
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Il mercato artistico nel carteggio fra Michelangelo Gualandi e Charles Lock Eastlake (1855-1865): un’introduzione

Giovanni Mazzaferro Independent scholar

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abstract

Born in Bologna in the late XIX century, Michelangelo Gualandi was trained as a tradesman. Studying art as a self-taught, he was able to establish himself as an art amateur and as a learned man, without however really ever abandoning his involvement in art trade. From 1855 he was agent of Charles Lock Eastlake, the first director of the National Gallery, and collaborated with him in the acquisition of paintings until the death of the Englishman, in 1865. Based on the recently rediscovered correspondence between Eastlake, other English connoisseurs and Gualandi, this article presents brand new information we can gain from the correspondence on both successful and failed purchases. Particular attention is paid to the aspects related to the modalities through which the sales took place.

Pubblicato

10 Dicembre 2020

Accettato

12 Maggio 2020

Presentato

20 Marzo 2020

Lingua

Keywords: Otto Mündler • Michelangelo Gualandi • National Gallery • William Boxall • XIX century art market • Bologna • Elizabeth Rigby • Charles Lock Eastlake

permalink http://doi.org/10.30687/MDCCC/2280-8841/2020/01/005

Copyright: © 2020 Giovanni Mazzaferro. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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