Rivista | Rassegna iberistica
Fascicolo | 37 | 101 | 2014
Articolo | A propósito del sistema estético de Luis Buñuel
Abstract
This review of Pedro Poyato’s book, El sistema estético de Luis Buñuel (Bilbao, University of País Vasco, 2011), highlights aspects such as the impulse-images of Calanda’s genius; the ‘ugly-ist’ iconography; the suspension of the meaning of the narrative; the declarative statements turned into terms of aggression; the ‘diminished’ narrators; the free adaptation that turns the literary text of departure into the final film; and the construction of the surrealist form, which does not so much follow Buñuel’s written scripts as the takes he elaborates based on his words and often those of others.
Pubblicato 09 Giugno 2014 | Lingua: es
Copyright © 2014 Rafael Bonilla Cerezo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/2037-6588/86
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DC Field | Value |
---|---|
dc.identifier |
ECF_article_853 |
dc.title |
A propósito del sistema estético de Luis Buñuel |
dc.contributor.author |
Bonilla Cerezo Rafael |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.type |
Articolo |
dc.language.iso |
es |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/riviste/rassegna-iberistica/2014/101/a-proposito-del-sistema-estetico-de-luis-bunuel/ |
dc.description.abstract |
This review of Pedro Poyato’s book, El sistema estético de Luis Buñuel (Bilbao, University of País Vasco, 2011), highlights aspects such as the impulse-images of Calanda’s genius; the ‘ugly-ist’ iconography; the suspension of the meaning of the narrative; the declarative statements turned into terms of aggression; the ‘diminished’ narrators; the free adaptation that turns the literary text of departure into the final film; and the construction of the surrealist form, which does not so much follow Buñuel’s written scripts as the takes he elaborates based on his words and often those of others. |
dc.relation.ispartof |
Rassegna iberistica |
dc.relation.ispartof |
Vol. 37 | Num. 101 | Giugno 2014 |
dc.issued |
2014-06-09 |
dc.identifier.issn |
|
dc.identifier.eissn |
2037-6588 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
dc.identifier.doi |
10.14277/2037-6588/86 |
dc.peer-review |
yes |
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