Rassegna iberistica

39 | 106 | 2016

open access | peer reviewed
Abstract

Keywords Audio recording • Plural writing • Centre and periphery • Labor Market • Comedians • Einaudi • Rodoreda • Fiction • Masini • Voice • Spanish poetry • Artistic Movement • Textual criticism • Lyric Opera • Capitalism • Time travel • Margarit • Lina Meruane • Philology • Plurilingualism • Poems • Reception • Chilean Literature • La Fura dels Baus • Poetics • Text editing • Look • Différance • Anthology • Social Novel • Ecdotics • Dictionary • Contemplation • Crisis • Comparison • Critical edition • Heterogeneity • Reality • Autobiographical • Vittorio Bodini • Woman • Biopolitics • Hermeneutics • Exil • Intermedia • Interpretations • Joglars • Kloakada • Painting • Artifice • Illness • Author • Claudio Rodríguez • Perú • Author's philology • Don Quijote • Contemporary Theatre • Poetry reading • Puppet Theatre • Etymology • Archives • Civil war • Spanish translations • Mimesis • Documentary cinema

Permalink http://doi.org/10.14277/2037-6588/Ri-39-106-16 | Pubblicato 07 Dicembre 2016 | Lingua en, ca, pt, it, es

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.