Rivista | Rassegna iberistica
Fascicolo | 40 | 107 | 2017
Articolo | Don Perlimplín en Venecia: Nono y Maderna

Don Perlimplín en Venecia: Nono y Maderna

Abstract

The present paper is a study of two musical adaptations of Federico García Lorca’s play Amor de don Perlimplín con Belisa en su jardín by two venetian composers linked to the Darmstadt School, Luigi Nono and Bruno Maderna, respectively a ballet entitled Der rote Mantel, which uses the German translation by Enrique Beck, and a radiophonic opera based on the Italian translation by Vittorio Bodini, Don Perlimplín ovvero il trionfo dell’amore e dell’immaginazione.


Open access | Peer reviewed

Presentato: 07 Aprile 2016 | Accettato: 22 Luglio 2016 | Pubblicato 29 Giugno 2017 | Lingua: es

Keywords Avant-gardeMusicTheaterTranslationTransmediality


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