Rivista | Rassegna iberistica
Fascicolo | 40 | 108 | 2017
Articolo | El color del camaleón
El color del camaleón
Un testimonio valiente para la sociedad chilena
- Valentina Ripa - Università degli Studi di Salerno - email
Abstract
The film El color del camaleón (2017) by Andrés Lübbert, which has great cinematic and content merits, can be considered as an important part of Chilean films on memory and post-memory. I focus on its contribution to Chilean memory and the reconstruction of the truth through the unveiling, in particular, of cruel methods of forced recruitment used by the dictatorship’s secret services. They were used as a further tool to instill terror in society, and as a way of submission and control of the population.
Presentato: 04 Ottobre 2017 | Pubblicato 13 Dicembre 2017 | Lingua: es
Keywords Postmemory • Documentary cinema • Memory • The grey zone • Chilean dictatorship
Copyright © 2017 Valentina Ripa. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/2037-6588/Ri-40-108-17-10
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El color del camaleón
Un testimonio valiente para la sociedad chilena - Valentina Ripa
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Recensioni
- Instituto Cervantes (2016). Cocodrilos en el diccionario. Hacia dónde camina el español. Barcelona: Espasa, pp. 431
- Albert Morales
- 13 Dicembre 2017
- Fabbri, Maurizio (2016). Itinerari narrativi spagnoli inconsueti (Dal Neoclassicismo al Naturalismo). Rimini: Panozzo Editore, pp. 277
- Giovanni Battista De Cesare
- 13 Dicembre 2017
- Zubieta, Ana María (ed.) (2017). Otro mapa de la violencia. Enfoques críticos, recorridos críticos. Buenos Aires: Eudeba, pp. 304
- Francesca Valentini
- 13 Dicembre 2017
- Poniatowska, Elena (2016). ¿Por qué Tina? Y otros estudios. Retratos a pie de calle. Ed. por Rocío Oviedo Pérez de Tudela. Madrid: Editorial Verbum, pp. 210
- Susanna Regazzoni
- 13 Dicembre 2017
- Arlt, Roberto et al. (2015). Fuera de la ley. 20 cuentos policiales argentinos (1910-1940). Compilado por Román Setton. Buenos Aires: Adriana Hidalgo, pp. 368
- Hernán Maltz
- 13 Dicembre 2017
- Pasciolla, Francesca (2016). Walt Whitman in Fernando Pessoa. London: Critical, Cultural and Communications Press, pp. 131
- Bernard McGuirk
- 13 Dicembre 2017
- March, Enric H. (2017). Barcelona, ciutat de vestigis. Passejades per les petjades de la història, pp. 246
- Enric Bou
- 13 Dicembre 2017
- Mollà, Toni (2017). Escrits contra el silenci. (A propòsit de l’obra cívica de Joan Fuster). València: Vincle editorial, pp. 165
- Enric Bou
- 13 Dicembre 2017
- Kortazar, Jon (ed.) (2016). Autonomía e ideología: Tensiones en el campo cultural vasco. Madrid: Iberoamericana; Vervuert, pp. 384
- Aiora Sampedro
- 13 Dicembre 2017
Pubblicazioni ricevute
- Pubblicazioni ricevute
- 13 Dicembre 2017
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_article_1289 |
|
dc.title |
El color del camaleón. Un testimonio valiente para la sociedad chilena |
|
dc.contributor.author |
Ripa Valentina |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
|
dc.type |
Articolo |
|
dc.language.iso |
es |
|
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/riviste/rassegna-iberistica/2017/108/el-color-del-camaleon/ |
|
dc.description.abstract |
The film El color del camaleón (2017) by Andrés Lübbert, which has great cinematic and content merits, can be considered as an important part of Chilean films on memory and post-memory. I focus on its contribution to Chilean memory and the reconstruction of the truth through the unveiling, in particular, of cruel methods of forced recruitment used by the dictatorship’s secret services. They were used as a further tool to instill terror in society, and as a way of submission and control of the population. |
|
dc.relation.ispartof |
Rassegna iberistica |
|
dc.relation.ispartof |
Vol. 40 | Num. 108 | Dicembre 2017 |
|
dc.issued |
2017-12-13 |
|
dc.dateSubmitted |
2017-10-04 |
|
dc.identifier.issn |
|
|
dc.identifier.eissn |
2037-6588 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
dc.identifier.doi |
10.14277/2037-6588/Ri-40-108-17-10 |
|
dc.peer-review |
no |
|
dc.subject |
Chilean dictatorship |
|
dc.subject |
Chilean dictatorship |
|
dc.subject |
Documentary cinema |
|
dc.subject |
Documentary cinema |
|
dc.subject |
Memory |
|
dc.subject |
Memory |
|
dc.subject |
Postmemory |
|
dc.subject |
Postmemory |
|
dc.subject |
The grey zone |
|
dc.subject |
The grey zone |
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