Rivista | Rassegna iberistica
Fascicolo | 41 | 110 | 2018
Articolo | Vidas robadas y límites del arte

Vidas robadas y límites del arte

Abstract

What we know about the horizon of possibilities in the writers’ discourse is largely influenced by two relevant scholars studies who defined literature as a field in which many pressures converge. The purpose of this paper is to analyse the aims and pressures that have Harkaitz Cano has to cope with when writing about the Basque context. In the aforementioned discussion I thoroughly identify different cycles of literary recreation by taking into consideration three essential stages: first, reflections from a novel’s main figure, secondly, an essay on artist and character building and finally, conversions based on metaliterature. To conclude, the single most striking observation to emerge from the analysis might be the correlation between the artist’s necessity and impossibility to represent reality around him.


Open access | Peer reviewed

Presentato: 03 Luglio 2017 | Accettato: 17 Luglio 2017 | Pubblicato 11 Dicembre 2018 | Lingua: es

Keywords Metaliterature • Basque Studies • Sociology • Literary field

Copyright © 2018 Aiora Sampedro. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Permalink http://doi.org/10.30687/Ri/2037-6588/2018/11/007


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