Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Poetry • Desert conquest • Nonfiction • Surrealismo • Paralipsis • Publishing industry • Misoginia • | Conquista del desierto • Miguel Ángel Hernández • Literature • Valerián de Hungría • Cuba vanguardias • Aposiopesis • El dolor los demás • Mujer • Immigration • Hibridismo cultural • Caballero Bonald • Paradox • | Bernardo Atxaga • Lagunas textuales • Cultural hybridity • Literary dialogues • El dolor de los demás • Galdós’ novels • Mapuche myths • Literatura • Ecología • Wilcock • Negrismo • España • Paisaje • | Literatura española contemporánea • Hispano-American literature • Estructura social • Figurativización • Mitos mapuches • Textual lacunas • Misogyny • Social structure • Romances of Chivalry • | Benito Pérez Galdós • Ideologia • Rhetorical techniques • | Deformación artística • Puesta en perspectiva narrativa • Beauty • Poetical discourse • True crime • Bernardo Atxaga • True Crime • Libri di cavalleria • Immigrant • Italo Calvino • Criticism • Reticencia • Paradosso • Letteratura ispanoamericana • Nationalism • Ecology • | Valerián de Hungría • Cinema • Essay • Reticence • Editoria • Artistic deformation • Discurso • Identidad • Técnicas retóricas • Ciència social • Nacionalisme • Contemporary Spanish literature • No ficción • Bellezza • Baroque • Surrealism • | Castelao • Novelas • Cuban avant-garde • Narrative perspective • Borges • Dibuxos grabados • | Assaig • Negritud • Women • | Wilcock • García Maroto • Sociologia de la llengua • Barroco • Dialogo letterario • Social science • Sociology of language • Critica • Landscape • Castelao • Inmigrante • Einaudi editore • Identity • Ideology • Spanish Republic • Negros • | Italo Calvino • Poesía • | Inmigración • Mise en abyme

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Pubblicato 21 Giugno 2019 | Lingua es, it, ca

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