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Fascicolo | 42 | 111 | 2019
Keywords Bellezza • Estructura social • Italo Calvino • Ecology • Valerián de Hungría • Poesía • Discurso • Textual lacunas • Lagunas textuales • El dolor los demás • Figurativización • Paradosso • Mise en abyme • | Wilcock • García Maroto • Reticencia • Caballero Bonald • Landscape • Surrealism • Hispano-American literature • Desert conquest • Paradox • Romances of Chivalry • Galdós’ novels • Literatura • Técnicas retóricas • | Literatura española contemporánea • Hibridismo cultural • Cuban avant-garde • Mapuche myths • Immigration • España • El dolor de los demás • Poetry • Social science • Misoginia • Beauty • | Conquista del desierto • Literature • Einaudi editore • Spanish Republic • Nonfiction • True Crime • Paralipsis • Literary dialogues • Contemporary Spanish literature • Mitos mapuches • Nationalism • Baroque • | Benito Pérez Galdós • Identidad • Sociologia de la llengua • Essay • Ciència social • Ideology • Misogyny • Identity • Narrative perspective • Paisaje • Barroco • Cinema • Critica • | Castelao • Negros • Rhetorical techniques • Mujer • Ideologia • Puesta en perspectiva narrativa • Sociology of language • | Deformación artística • Castelao • Cultural hybridity • Wilcock • Publishing industry • Bernardo Atxaga • Artistic deformation • True crime • Inmigrante • Criticism • Immigrant • Aposiopesis • Novelas • Miguel Ángel Hernández • Women • | Assaig • Editoria • Surrealismo • Nacionalisme • Borges • No ficción • Dialogo letterario • Dibuxos grabados • Letteratura ispanoamericana • | Valerián de Hungría • | Bernardo Atxaga • Social structure • Ecología • Cuba vanguardias • Poetical discourse • | Inmigración • | Italo Calvino • Reticence • Negritud • Negrismo • Libri di cavalleria
Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Pubblicato 21 Giugno 2019 | Lingua it, es, ca
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