Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Paradox • Immigration • Novelas • Surrealismo • Miguel Ángel Hernández • Libri di cavalleria • Nonfiction • Puesta en perspectiva narrativa • Mise en abyme • Figurativización • Wilcock • Social structure • Mujer • Hibridismo cultural • Poesía • Sociologia de la llengua • Spanish Republic • Misogyny • Literatura • Cuba vanguardias • Reticence • Bernardo Atxaga • Romances of Chivalry • España • Editoria • Poetical discourse • | Italo Calvino • Einaudi editore • | Deformación artística • Caballero Bonald • Ecology • Negros • Ciència social • Artistic deformation • Women • Galdós’ novels • Discurso • Social science • Italo Calvino • Cinema • Negritud • Cuban avant-garde • Paisaje • Dibuxos grabados • Letteratura ispanoamericana • Landscape • Negrismo • | Inmigración • Nacionalisme • Beauty • Rhetorical techniques • | Literatura española contemporánea • Identity • Nationalism • Literary dialogues • | Assaig • Identidad • | Conquista del desierto • Ideology • Mitos mapuches • Criticism • Estructura social • El dolor de los demás • Literature • | Wilcock • Narrative perspective • Essay • Castelao • Borges • True crime • Valerián de Hungría • No ficción • Paradosso • Ecología • García Maroto • Barroco • Hispano-American literature • Textual lacunas • Publishing industry • | Valerián de Hungría • Desert conquest • Baroque • | Castelao • Aposiopesis • Poetry • Cultural hybridity • Sociology of language • True Crime • Paralipsis • Lagunas textuales • Bellezza • Inmigrante • Mapuche myths • Ideologia • | Bernardo Atxaga • Contemporary Spanish literature • Dialogo letterario • El dolor los demás • Immigrant • Misoginia • Surrealism • Técnicas retóricas • Reticencia • | Benito Pérez Galdós • Critica

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Pubblicato 21 Giugno 2019 | Lingua ca, es, it

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