Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Negrismo • Reticence • | Castelao • Nationalism • | Literatura española contemporánea • Social science • Negros • | Conquista del desierto • Nonfiction • Técnicas retóricas • Publishing industry • García Maroto • Borges • Paradox • Inmigrante • True crime • Estructura social • Mujer • Textual lacunas • Ecología • Romances of Chivalry • Paradosso • | Italo Calvino • Identidad • Discurso • Figurativización • Immigration • Poetical discourse • Ciència social • | Bernardo Atxaga • Bellezza • Paisaje • Ideologia • Baroque • Desert conquest • Castelao • Wilcock • Lagunas textuales • Cuban avant-garde • Cultural hybridity • Misogyny • Literary dialogues • Artistic deformation • Novelas • | Assaig • | Deformación artística • Caballero Bonald • Barroco • Rhetorical techniques • Valerián de Hungría • Cinema • Libri di cavalleria • No ficción • Landscape • Essay • Aposiopesis • Beauty • Dibuxos grabados • Hibridismo cultural • Identity • Dialogo letterario • Galdós’ novels • Spanish Republic • Sociologia de la llengua • Letteratura ispanoamericana • Puesta en perspectiva narrativa • Women • Surrealismo • | Wilcock • Hispano-American literature • Surrealism • El dolor de los demás • Literature • | Inmigración • Negritud • Paralipsis • Critica • Reticencia • Bernardo Atxaga • Italo Calvino • Ideology • Criticism • Mapuche myths • Social structure • Nacionalisme • España • Miguel Ángel Hernández • Poetry • True Crime • El dolor los demás • Ecology • Sociology of language • Editoria • | Benito Pérez Galdós • | Valerián de Hungría • Mitos mapuches • Contemporary Spanish literature • Cuba vanguardias • Misoginia • Mise en abyme • Poesía • Immigrant • Narrative perspective • Literatura • Einaudi editore

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Published June 21, 2019 | Language ca, es, it

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