Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Estructura social • Galdós’ novels • Mise en abyme • Identidad • | Wilcock • Novelas • Ecología • Criticism • Surrealism • Women • Wilcock • | Bernardo Atxaga • Social structure • Negrismo • Editoria • Italo Calvino • Landscape • Negritud • True crime • Sociologia de la llengua • Castelao • Ideologia • Miguel Ángel Hernández • Poetical discourse • | Castelao • Discurso • Nationalism • Literature • Publishing industry • Beauty • | Italo Calvino • Bellezza • Dibuxos grabados • España • Literary dialogues • Rhetorical techniques • Romances of Chivalry • Poetry • Inmigrante • | Valerián de Hungría • Valerián de Hungría • Cuba vanguardias • | Literatura española contemporánea • Puesta en perspectiva narrativa • Misoginia • Poesía • Reticence • Dialogo letterario • Ideology • Aposiopesis • Critica • Cultural hybridity • García Maroto • Nacionalisme • El dolor los demás • Artistic deformation • Surrealismo • Hispano-American literature • No ficción • Reticencia • Ciència social • | Deformación artística • Ecology • Negros • Social science • Misogyny • Desert conquest • Figurativización • Baroque • Barroco • Paradosso • Spanish Republic • Técnicas retóricas • Mitos mapuches • | Benito Pérez Galdós • Immigration • Contemporary Spanish literature • Caballero Bonald • Bernardo Atxaga • | Conquista del desierto • Mujer • Immigrant • Textual lacunas • Narrative perspective • Mapuche myths • | Assaig • Sociology of language • | Inmigración • Letteratura ispanoamericana • Nonfiction • Borges • True Crime • Literatura • Paradox • Essay • Paralipsis • Lagunas textuales • Cinema • Paisaje • El dolor de los demás • Cuban avant-garde • Hibridismo cultural • Einaudi editore • Libri di cavalleria • Identity

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Published June 21, 2019 | Language it, es, ca

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