Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Barroco • Sociology of language • | Literatura española contemporánea • Cuban avant-garde • Romances of Chivalry • Einaudi editore • Galdós’ novels • Negros • Sociologia de la llengua • Estructura social • Dibuxos grabados • Paralipsis • Mitos mapuches • Surrealism • Social science • Hibridismo cultural • Negritud • Ideologia • Hispano-American literature • | Valerián de Hungría • Rhetorical techniques • Letteratura ispanoamericana • Dialogo letterario • Immigrant • Ideology • Immigration • Puesta en perspectiva narrativa • | Italo Calvino • Critica • True Crime • Nationalism • Editoria • | Inmigración • Italo Calvino • Borges • Literatura • Narrative perspective • Textual lacunas • Reticence • Cuba vanguardias • Cultural hybridity • Castelao • El dolor los demás • | Castelao • Paisaje • Ecology • | Benito Pérez Galdós • Paradosso • Baroque • Libri di cavalleria • | Deformación artística • García Maroto • Poetry • Nacionalisme • No ficción • | Conquista del desierto • Poesía • Lagunas textuales • Miguel Ángel Hernández • España • Poetical discourse • Misoginia • Desert conquest • Essay • Wilcock • Ciència social • Surrealismo • Aposiopesis • Landscape • Bernardo Atxaga • Mise en abyme • | Assaig • Caballero Bonald • Beauty • Spanish Republic • Bellezza • Cinema • Ecología • Figurativización • Nonfiction • Negrismo • Contemporary Spanish literature • Literary dialogues • Identidad • Mapuche myths • Reticencia • Novelas • Criticism • Identity • Mujer • Women • Literature • Discurso • Misogyny • Valerián de Hungría • Artistic deformation • | Bernardo Atxaga • Paradox • | Wilcock • Inmigrante • Social structure • El dolor de los demás • Técnicas retóricas • Publishing industry • True crime

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Published June 21, 2019 | Language it, ca, es

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