Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords True crime • Castelao • | Bernardo Atxaga • Nonfiction • Ecology • Miguel Ángel Hernández • Bellezza • Einaudi editore • Ideology • Valerián de Hungría • Italo Calvino • Landscape • Nacionalisme • Rhetorical techniques • | Literatura española contemporánea • Misoginia • Dibuxos grabados • Figurativización • Artistic deformation • Galdós’ novels • Puesta en perspectiva narrativa • | Italo Calvino • Bernardo Atxaga • Desert conquest • Criticism • Negrismo • Dialogo letterario • | Conquista del desierto • Negritud • Paisaje • Ecología • Cinema • El dolor de los demás • Ideologia • | Castelao • Contemporary Spanish literature • Negros • Literature • Critica • Identity • Baroque • Cuban avant-garde • Reticence • García Maroto • Paradox • | Valerián de Hungría • Literatura • Mapuche myths • Surrealism • | Wilcock • Sociology of language • Cuba vanguardias • Poetry • Mise en abyme • Misogyny • Beauty • Social structure • Paradosso • Editoria • Mujer • Sociologia de la llengua • | Benito Pérez Galdós • Literary dialogues • Narrative perspective • Poesía • Hibridismo cultural • Poetical discourse • Barroco • Estructura social • Publishing industry • Surrealismo • Women • Romances of Chivalry • Essay • No ficción • Spanish Republic • Novelas • Mitos mapuches • Cultural hybridity • Hispano-American literature • Discurso • Lagunas textuales • Técnicas retóricas • | Inmigración • Ciència social • Identidad • Reticencia • Nationalism • Paralipsis • Libri di cavalleria • Caballero Bonald • True Crime • Wilcock • Social science • | Assaig • Immigration • España • Textual lacunas • Immigrant • Aposiopesis • Inmigrante • | Deformación artística • El dolor los demás • Borges • Letteratura ispanoamericana

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Published June 21, 2019 | Language it, ca, es

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