Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Reticence • Mitos mapuches • Sociologia de la llengua • Borges • Social structure • Discurso • Einaudi editore • Publishing industry • Mujer • Negros • Narrative perspective • Identidad • | Castelao • Ideology • Women • Paralipsis • Misoginia • El dolor de los demás • Caballero Bonald • Textual lacunas • Dialogo letterario • Lagunas textuales • Sociology of language • Nacionalisme • Misogyny • Hibridismo cultural • Cultural hybridity • | Italo Calvino • Negritud • | Wilcock • Literary dialogues • No ficción • Artistic deformation • Paisaje • Paradox • Cinema • Hispano-American literature • Técnicas retóricas • España • Essay • Desert conquest • Rhetorical techniques • Miguel Ángel Hernández • True crime • Nonfiction • Literatura • Cuban avant-garde • Bellezza • Social science • Poetry • Criticism • Puesta en perspectiva narrativa • Aposiopesis • Landscape • Surrealismo • Immigration • Identity • Barroco • Dibuxos grabados • Literature • Wilcock • El dolor los demás • Ecología • Mapuche myths • Reticencia • Critica • Ciència social • | Literatura española contemporánea • Immigrant • | Conquista del desierto • Romances of Chivalry • | Valerián de Hungría • Negrismo • Editoria • | Inmigración • Baroque • Galdós’ novels • Novelas • Paradosso • Estructura social • Castelao • Inmigrante • Italo Calvino • True Crime • | Deformación artística • Ecology • García Maroto • Valerián de Hungría • Mise en abyme • Libri di cavalleria • Spanish Republic • | Benito Pérez Galdós • Cuba vanguardias • | Bernardo Atxaga • Letteratura ispanoamericana • Figurativización • Contemporary Spanish literature • Ideologia • Bernardo Atxaga • | Assaig • Nationalism • Surrealism • Beauty • Poetical discourse • Poesía

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Published June 21, 2019 | Language ca, it, es

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