Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Bernardo Atxaga • Editoria • Nationalism • Reticencia • Women • Dialogo letterario • Criticism • Hispano-American literature • Landscape • Literatura • Cinema • Beauty • El dolor los demás • El dolor de los demás • Publishing industry • Poetical discourse • Puesta en perspectiva narrativa • Sociology of language • | Valerián de Hungría • Ideologia • Artistic deformation • Negritud • Libri di cavalleria • Poetry • Aposiopesis • García Maroto • | Wilcock • Castelao • Social structure • Miguel Ángel Hernández • | Bernardo Atxaga • Sociologia de la llengua • Paradox • Barroco • Literature • | Literatura española contemporánea • Contemporary Spanish literature • | Assaig • Reticence • True Crime • Romances of Chivalry • Dibuxos grabados • Inmigrante • | Castelao • Spanish Republic • Textual lacunas • Ecología • Galdós’ novels • Critica • Ecology • Ciència social • Bellezza • Italo Calvino • Cultural hybridity • Poesía • Einaudi editore • Cuban avant-garde • Misogyny • Rhetorical techniques • Hibridismo cultural • | Italo Calvino • Ideology • Immigrant • Discurso • Mise en abyme • Immigration • Surrealismo • | Benito Pérez Galdós • Social science • España • Mujer • Nacionalisme • Mapuche myths • Paralipsis • | Conquista del desierto • Identidad • Baroque • Desert conquest • Paradosso • No ficción • Wilcock • Valerián de Hungría • | Inmigración • Negros • Borges • Misoginia • Cuba vanguardias • Narrative perspective • Nonfiction • Lagunas textuales • Essay • True crime • Técnicas retóricas • Caballero Bonald • Surrealism • Mitos mapuches • Figurativización • Estructura social • Identity • Novelas • Paisaje • | Deformación artística • Negrismo • Literary dialogues • Letteratura ispanoamericana

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Published June 21, 2019 | Language it, ca, es

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