Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Paradosso • Essay • Cuba vanguardias • Ecología • Mujer • Dibuxos grabados • Women • Surrealismo • Textual lacunas • Poesía • Immigrant • Letteratura ispanoamericana • Aposiopesis • Hibridismo cultural • Nacionalisme • Poetical discourse • Wilcock • Paradox • Misogyny • Negritud • Ecology • Desert conquest • Reticence • | Deformación artística • | Italo Calvino • Criticism • | Benito Pérez Galdós • Nonfiction • Romances of Chivalry • True crime • | Castelao • Spanish Republic • Cuban avant-garde • Contemporary Spanish literature • Hispano-American literature • Nationalism • Negrismo • True Crime • Bellezza • Estructura social • | Inmigración • Novelas • Cultural hybridity • Paisaje • No ficción • Social science • Ideology • Figurativización • El dolor de los demás • Discurso • Mapuche myths • Castelao • Dialogo letterario • | Bernardo Atxaga • | Valerián de Hungría • Poetry • Landscape • Valerián de Hungría • Galdós’ novels • | Assaig • Técnicas retóricas • Misoginia • Negros • Surrealism • Puesta en perspectiva narrativa • Beauty • Barroco • Editoria • Identity • Caballero Bonald • Literature • Publishing industry • García Maroto • Social structure • Immigration • Libri di cavalleria • Sociology of language • Cinema • | Conquista del desierto • Paralipsis • Rhetorical techniques • El dolor los demás • Einaudi editore • Narrative perspective • Italo Calvino • Lagunas textuales • Reticencia • Literary dialogues • Mitos mapuches • Critica • Ideologia • | Wilcock • España • Baroque • Literatura • | Literatura española contemporánea • Bernardo Atxaga • Mise en abyme • Artistic deformation • Borges • Miguel Ángel Hernández • Identidad • Ciència social • Inmigrante • Sociologia de la llengua

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Published June 21, 2019 | Language ca, it, es

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