Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Cinema • True Crime • Dibuxos grabados • Social science • | Literatura española contemporánea • | Deformación artística • Misogyny • | Valerián de Hungría • Mise en abyme • Estructura social • Spanish Republic • | Conquista del desierto • Identity • Paradox • España • Ecology • Mitos mapuches • Ciència social • Bellezza • Publishing industry • | Italo Calvino • Caballero Bonald • Contemporary Spanish literature • Castelao • Italo Calvino • Critica • True crime • García Maroto • Lagunas textuales • Beauty • | Assaig • | Castelao • Mujer • | Bernardo Atxaga • Reticencia • Identidad • Hispano-American literature • Literary dialogues • Reticence • Landscape • Técnicas retóricas • Cuba vanguardias • Surrealism • Social structure • Artistic deformation • Poesía • El dolor de los demás • Sociologia de la llengua • Baroque • Criticism • No ficción • Letteratura ispanoamericana • Literatura • Narrative perspective • Desert conquest • Textual lacunas • Surrealismo • Nonfiction • Einaudi editore • Paisaje • Women • | Wilcock • Essay • | Benito Pérez Galdós • Cuban avant-garde • Galdós’ novels • Negrismo • Poetry • Puesta en perspectiva narrativa • Romances of Chivalry • | Inmigración • Ecología • Discurso • Sociology of language • Negros • Aposiopesis • Cultural hybridity • El dolor los demás • Figurativización • Novelas • Libri di cavalleria • Hibridismo cultural • Misoginia • Immigration • Editoria • Nationalism • Borges • Miguel Ángel Hernández • Rhetorical techniques • Dialogo letterario • Valerián de Hungría • Negritud • Literature • Ideologia • Barroco • Inmigrante • Bernardo Atxaga • Mapuche myths • Nacionalisme • Paralipsis • Poetical discourse • Wilcock • Ideology • Paradosso • Immigrant

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Pubblicato 21 Giugno 2019 | Lingua es, it, ca

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