Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Italo Calvino • Editoria • Bernardo Atxaga • Nonfiction • Literatura • True Crime • | Deformación artística • Textual lacunas • | Wilcock • El dolor de los demás • Mise en abyme • | Literatura española contemporánea • Ideology • | Italo Calvino • Wilcock • Women • Einaudi editore • Hispano-American literature • Sociology of language • García Maroto • Paradox • | Castelao • Poetical discourse • Critica • Puesta en perspectiva narrativa • Cuba vanguardias • Inmigrante • Literary dialogues • Caballero Bonald • Negrismo • Discurso • Miguel Ángel Hernández • Identity • Nationalism • | Inmigración • Romances of Chivalry • Literature • Cultural hybridity • | Conquista del desierto • Letteratura ispanoamericana • Cuban avant-garde • España • Paradosso • Borges • Immigration • Aposiopesis • Paisaje • No ficción • Baroque • El dolor los demás • Negros • True crime • Ciència social • Dialogo letterario • Ecología • Nacionalisme • Novelas • Spanish Republic • Sociologia de la llengua • Social structure • Dibuxos grabados • Social science • Reticence • Técnicas retóricas • Publishing industry • Bellezza • Galdós’ novels • Artistic deformation • Identidad • Ideologia • Misoginia • Mujer • Desert conquest • Figurativización • Cinema • Surrealismo • Misogyny • Libri di cavalleria • | Assaig • Castelao • Surrealism • Mitos mapuches • Poesía • | Valerián de Hungría • Mapuche myths • Negritud • Landscape • Poetry • Immigrant • Estructura social • Contemporary Spanish literature • Ecology • | Bernardo Atxaga • Hibridismo cultural • Reticencia • Valerián de Hungría • Lagunas textuales • Barroco • Rhetorical techniques • | Benito Pérez Galdós • Essay • Criticism • Paralipsis • Beauty • Narrative perspective

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Pubblicato 21 Giugno 2019 | Lingua it, es, ca

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