Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords | Wilcock • | Benito Pérez Galdós • Bellezza • Ecology • | Assaig • Discurso • El dolor de los demás • García Maroto • | Literatura española contemporánea • True crime • Spanish Republic • No ficción • Literature • Baroque • Immigrant • Contemporary Spanish literature • Immigration • Surrealism • Negritud • | Conquista del desierto • Mujer • Poetical discourse • Narrative perspective • Barroco • Identidad • | Italo Calvino • Ideologia • Castelao • Literary dialogues • Ciència social • Galdós’ novels • Paisaje • Nacionalisme • Figurativización • Sociology of language • Cinema • Borges • Cuba vanguardias • Mapuche myths • Letteratura ispanoamericana • Women • Reticencia • El dolor los demás • Nonfiction • Mitos mapuches • Poesía • Paradox • Paralipsis • | Bernardo Atxaga • Social structure • True Crime • Artistic deformation • Novelas • Paradosso • Aposiopesis • Valerián de Hungría • Estructura social • Ideology • Rhetorical techniques • Italo Calvino • Beauty • Bernardo Atxaga • Wilcock • Identity • Einaudi editore • Miguel Ángel Hernández • Surrealismo • Essay • Libri di cavalleria • Sociologia de la llengua • Caballero Bonald • Romances of Chivalry • | Valerián de Hungría • Reticence • Técnicas retóricas • Dibuxos grabados • Editoria • Social science • Landscape • Cultural hybridity • Publishing industry • | Inmigración • Nationalism • Hibridismo cultural • Desert conquest • Negrismo • Hispano-American literature • Lagunas textuales • Critica • | Deformación artística • Puesta en perspectiva narrativa • Dialogo letterario • Inmigrante • Textual lacunas • Poetry • Misoginia • Ecología • España • Criticism • Negros • Cuban avant-garde • | Castelao • Misogyny • Mise en abyme • Literatura

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Pubblicato 21 Giugno 2019 | Lingua it, es, ca

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