Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Romances of Chivalry • Nationalism • Critica • | Literatura española contemporánea • Aposiopesis • Criticism • Editoria • Rhetorical techniques • Contemporary Spanish literature • Poetical discourse • Novelas • Ideology • Cuban avant-garde • Sociologia de la llengua • | Valerián de Hungría • | Wilcock • Wilcock • Landscape • Identidad • Misogyny • Nonfiction • Ecology • Mitos mapuches • Essay • | Benito Pérez Galdós • Cinema • | Italo Calvino • Cuba vanguardias • España • Social science • Social structure • Surrealismo • Cultural hybridity • | Assaig • Spanish Republic • Paradox • Hibridismo cultural • Literatura • Surrealism • Textual lacunas • Immigration • Borges • Poesía • Puesta en perspectiva narrativa • Reticence • Inmigrante • Barroco • Literature • No ficción • Técnicas retóricas • Paisaje • Discurso • Valerián de Hungría • Einaudi editore • Mujer • Ecología • Caballero Bonald • Bernardo Atxaga • Hispano-American literature • | Inmigración • El dolor de los demás • Poetry • Identity • Figurativización • Ideologia • Mise en abyme • Misoginia • Mapuche myths • Baroque • Lagunas textuales • | Bernardo Atxaga • Publishing industry • Negrismo • Sociology of language • | Deformación artística • Narrative perspective • Bellezza • Paralipsis • | Conquista del desierto • Literary dialogues • Dialogo letterario • Italo Calvino • Desert conquest • Negritud • True Crime • Libri di cavalleria • Estructura social • Negros • El dolor los demás • Reticencia • True crime • Castelao • Paradosso • Immigrant • Artistic deformation • Beauty • Ciència social • Miguel Ángel Hernández • Women • Dibuxos grabados • García Maroto • Letteratura ispanoamericana • | Castelao • Galdós’ novels • Nacionalisme

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Pubblicato 21 Giugno 2019 | Lingua it, es, ca

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