Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords | Italo Calvino • El dolor los demás • Valerián de Hungría • Essay • Wilcock • Mitos mapuches • Poesía • Bellezza • Sociology of language • Misoginia • Dialogo letterario • Mujer • Ciència social • | Literatura española contemporánea • Poetical discourse • Puesta en perspectiva narrativa • Literary dialogues • Women • Reticencia • Cuban avant-garde • Reticence • | Inmigración • | Wilcock • Literatura • Novelas • | Valerián de Hungría • Ideologia • True Crime • Cultural hybridity • El dolor de los demás • Einaudi editore • Critica • Surrealismo • Poetry • Narrative perspective • Criticism • Dibuxos grabados • Caballero Bonald • Cinema • Galdós’ novels • Social structure • Bernardo Atxaga • Landscape • Italo Calvino • Social science • True crime • Immigration • Immigrant • Baroque • Barroco • Misogyny • Discurso • Negros • Textual lacunas • Editoria • Estructura social • García Maroto • Literature • Paradox • Spanish Republic • Negrismo • Técnicas retóricas • Borges • Negritud • Surrealism • Identidad • No ficción • Ecología • Ideology • Mapuche myths • Ecology • Desert conquest • Nacionalisme • Libri di cavalleria • Romances of Chivalry • Aposiopesis • Sociologia de la llengua • Beauty • Paradosso • Publishing industry • Cuba vanguardias • Mise en abyme • Letteratura ispanoamericana • Hispano-American literature • Nonfiction • Paisaje • Hibridismo cultural • España • Lagunas textuales • Contemporary Spanish literature • Artistic deformation • Nationalism • | Bernardo Atxaga • Rhetorical techniques • Inmigrante • | Benito Pérez Galdós • | Castelao • Miguel Ángel Hernández • Figurativización • | Assaig • Paralipsis • | Conquista del desierto • | Deformación artística • Castelao • Identity

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Pubblicato 21 Giugno 2019 | Lingua ca, es, it

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