Rivista | Rassegna iberistica
Fascicolo | 43 | 113 | 2020
Articolo | Poesía y pintura
Abstract
This article examines the multiple conformation that a poetic text maintains with other disciplines such as painting. We will analyse the different internal values of an openly dialogical writing in the production of the Andalusian poet Rafael Alberti, through a study by Loretta Frattale, Il suono impossibile della poesia. Rafael Alberti e la poesia dipinta. We will verify how a poem can be configured in a set of not only verbal but also visual perspectives, thus constructing a text, in the most semiological sense, that can be read in a continuous meeting of a verbovisual nature. This is a late Albertian move that prevails within the different writings of the Spanish poet.
Presentato: 09 Gennaio 2020 | Pubblicato 19 Giugno 2020 | Lingua: es
Copyright © 2020 Alessandro Ghignoli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/Ri/2037-6588/2020/14/009
Articoli
Nota
Recensioni
Alberto Blecua in memoriam
Pubblicazioni ricevute
DC Field | Value |
---|---|
dc.identifier |
ECF_article_3151 |
dc.title |
Poesía y pintura. A propósito de Il suono impossibile della poesia. Rafael Alberti e la poesia dipinta de Loretta Frattale |
dc.contributor.author |
Ghignoli Alessandro |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
dc.type |
Articolo |
dc.language.iso |
es |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/riviste/rassegna-iberistica/2020/113/poesia-y-pintura/ |
dc.description.abstract |
This article examines the multiple conformation that a poetic text maintains with other disciplines such as painting. We will analyse the different internal values of an openly dialogical writing in the production of the Andalusian poet Rafael Alberti, through a study by Loretta Frattale, Il suono impossibile della poesia. Rafael Alberti e la poesia dipinta. We will verify how a poem can be configured in a set of not only verbal but also visual perspectives, thus constructing a text, in the most semiological sense, that can be read in a continuous meeting of a verbovisual nature. This is a late Albertian move that prevails within the different writings of the Spanish poet. |
dc.relation.ispartof |
Rassegna iberistica |
dc.relation.ispartof |
Vol. 43 | Num. 113 | Giugno 2020 |
dc.issued |
2020-06-19 |
dc.dateSubmitted |
2020-01-09 |
dc.identifier.issn |
|
dc.identifier.eissn |
2037-6588 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
dc.identifier.doi |
10.30687/Ri/2037-6588/2020/14/009 |
dc.peer-review |
no |
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