Rivista | Rassegna iberistica
Fascicolo | 44 | 115 | 2021
Articolo | La irrupción de la subjetividad en las acotaciones escénicas de Jardiel Poncela

La irrupción de la subjetividad en las acotaciones escénicas de Jardiel Poncela

Un análisis del fenómeno en cinco comedias del autor (1927-1940)

Abstract

Jardiel Poncela devoted a part of his literary efforts to compose his stage directions, a fundamental component of his theatre. Stage directions are endowed with so peculiar characteristics that they often became decisive pieces in the interpretation of the author’s dramatic writing. Although critics have occasionally highlighted this factor, detailed studies have been lacking, therefore this is the scope of this article. We will analyze some examples from five playwrights, and we will highlight some rhetorical, linguistic, stylistic mechanisms with which Jardiel seems to make one’s presence felt in his stage directions writing.


Open access | Peer reviewed

Presentato: 21 Aprile 2020 | Accettato: 22 Aprile 2021 | Pubblicato 29 Giugno 2021 | Lingua: es

Keywords Literatura española del siglo XX • Escritura dramática • Teatro español • Spanish literature of the 20th century • Acotaciones escénicas • Spanish theatre • Jardiel Poncela • Stage directions • | Jardiel Poncela • Dramatic writing

Copyright © 2021 Carlotta Paratore. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Permalink http://doi.org/10.30687/Ri/2037-6588/2021/16/004


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