Lagoonscapes

The Venice Journal of Environmental Humanities

Thinking the Planet with Venice

open access | peer reviewed
Abstract

The first Italian journal expressly dedicated to the Environmental Humanities, Lagoonscapes, is animated by a ‘local’ awareness and a ‘planetary’ vision. Its title mirrors this spirit and the inescapable need to strengthen the junction between cultural perspectives and ecological complexity. Lagoonscapes is a sort of prism through which multiple perspectives converge, turning the Venetian lagoon into a symbolic laboratory, an observatory, a forge of ideas about the global panorama of the Environmental Humanities. Art, meteorology, climatic imagination, bodily immersions in the ecology of places, food, eco-ethnography, multimedia performance, extractive tourism, debunked clichés, and quagmires: this first issue is a sample of what we envision to be our mission, namely, to create bridges of elements, voices, and visions, facilitating encounters of theories and individual matters, and stimulating ‘trans-local’ negotiations along with planetary awareness.

Keywords Nature • Environmental justice • Gli Impresari • Elena Mazzi • Johann Wolfgang Goethe • Material ecocriticism • Foodways • Presence • Multispecies • Environment • Ocean Space • Nineteenth century • UNESCO • Performance • Blue humanities • Art • Environmental media • Venice • New Humanities • Eleonora Sovrani • Seafood • Thomas Mann • The senses • Joan Jonas • Walking • Ecology • Embodiment • Death in Venice • Art-activism • Markets • Meteorology • Weather • Contemporary art • Environmental Humanities • Environmental sensing • Extractive tourism • Banksy • Submergence • Body politic • Cruise ships • Culinary knowledge • Capitalocene

Permalink http://doi.org/10.30687/LGSP/2785-2709/2021/01 | Pubblicato 20 Dicembre 2021 | Lingua en