Considerazioni preliminari sull’arte del delegare. Sol Lewitt e Bruce Nauman…

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Campo DC	Valore
dc.identifier	ECF_article_20
dc.title	Considerazioni preliminari sull’arte del delegare. Sol Lewitt e Bruce Nauman alla Biennale di Tokyo del 1970: due casi studio
dc.contributor.author	Charans Eleonora
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.type	Articolo
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/venezia-arti/2014/1/considerazioni-preliminari-sullarte-del-delegare-s/
dc.description.abstract	Within Conceptual Art attitudes and processes, artists sometimes delegate the execution of an artwork – more or less performative – to a third party through instructions, written or drawn. The following contribution focuses on two specific events, respectively conceived by Sol LeWitt and Bruce Nauman, for the same show – the Tokyo Biennale organized in 1970. What is intended to analyze is the crucial role played by instructions and their importance for future museological reconstructions, when the artist is not present or no longer alive.
dc.relation.ispartof	Venezia Arti
dc.relation.ispartof	Vol. 24 \| Giugno 2014
dc.issued	2014-06-15
dc.identifier.issn
dc.identifier.eissn	2385-2720
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.14277/2385-2720/6p
dc.peer-review	yes

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Considerazioni preliminari sull’arte del delegare. Sol Lewitt e Bruce Nauman alla Biennale di Tokyo del 1970: due casi studio

Eleonora Charans

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abstract

Within Conceptual Art attitudes and processes, artists sometimes delegate the execution of an artwork – more or less performative – to a third party through instructions, written or drawn. The following contribution focuses on two specific events, respectively conceived by Sol LeWitt and Bruce Nauman, for the same show – the Tokyo Biennale organized in 1970. What is intended to analyze is the crucial role played by instructions and their importance for future museological reconstructions, when the artist is not present or no longer alive.

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15 Giugno 2014

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permalink http://doi.org/10.14277/2385-2720/6p

Copyright: © 2014 Eleonora Charans. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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