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Fantasmi della trilogia: scrittura/canto/corpo

Paolo Puppa    Università Ca’ Foscari Venezia, Italia    

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abstract

 The paper retraces Nane Oca’s trilogy identifying different structures in the narration and focusing especially on the presence of the body. This component evidences itself particularly through the theme of eros, an overwhelming pantheistic force that permeates nature – and which each character naturally experiences. Eventually, the author suggests some potential readings, which might have constituted a source for the narration.

Lingua
IT
ISBN (PRINT)
978-88-6969-069-3
ISBN (EBOOK)
978-88-6969-079-2

Keywords: BodyWritingSinging

Copyright: © 2016 Paolo Puppa. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.