Rivista | Rassegna iberistica
Fascicolo | 38 | 104 | 2015
Articolo | Despiece peatonal | Respiración continua de Julio Reija
Abstract
The last poetry book of Julio Reija combines two different poetry collections in the same object though a very peculiar layout designed by the same author. Far from looking for a mere rhetorical effect, the specific layout of the book is constitutive of the way Reija understands poetry: his practice of poetry is a continuous exercise in which words are literally and desperately disjointed, fragmented, took apart in a writing that is always searching for a new form. Julio Reija’s writing combines the derridian deconstruction of logos (language and though) with an ethical posture against the overwhelming power of mass media in contemporary world.
Pubblicato 01 Dicembre 2015 | Lingua: es
Keywords Visual poetry • Deconstruction • Book-object • Mass media
Copyright © 2015 Alessandro Mistrorigo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/2037-6588/77p
Articoli
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Recensioni
Pubblicazioni ricevute
DC Field | Value |
---|---|
dc.identifier |
ECF_article_214 |
dc.title |
Despiece peatonal | Respiración continua de Julio Reija. Un libro (no sólo) doble |
dc.contributor.author |
Mistrorigo Alessandro |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.type |
Articolo |
dc.language.iso |
es |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/riviste/rassegna-iberistica/2015/104/despiece-peatonal-respiracion-continua-de-julio-re/ |
dc.description.abstract |
The last poetry book of Julio Reija combines two different poetry collections in the same object though a very peculiar layout designed by the same author. Far from looking for a mere rhetorical effect, the specific layout of the book is constitutive of the way Reija understands poetry: his practice of poetry is a continuous exercise in which words are literally and desperately disjointed, fragmented, took apart in a writing that is always searching for a new form. Julio Reija’s writing combines the derridian deconstruction of logos (language and though) with an ethical posture against the overwhelming power of mass media in contemporary world. |
dc.relation.ispartof |
Rassegna iberistica |
dc.relation.ispartof |
Vol. 38 | Num. 104 | Dicembre 2015 |
dc.issued |
2015-12-01 |
dc.identifier.issn |
|
dc.identifier.eissn |
2037-6588 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
dc.identifier.doi |
10.14277/2037-6588/77p |
dc.peer-review |
yes |
dc.subject |
Book-object |
dc.subject |
Book-object |
dc.subject |
Deconstruction |
dc.subject |
Deconstruction |
dc.subject |
Mass media |
dc.subject |
Mass media |
dc.subject |
Visual poetry |
dc.subject |
Visual poetry |
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