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Fascicolo | 39 | 106 | 2016
Keywords Don Quijote • Margarit • Poems • Reception • Hermeneutics • Text editing • Comedians • Documentary cinema • La Fura dels Baus • Capitalism • Spanish poetry • Lyric Opera • Textual criticism • Artistic Movement • Civil war • Contemporary Theatre • Reality • Comparison • Dictionary • Crisis • Critical edition • Heterogeneity • Différance • Intermedia • Interpretations • Etymology • Perú • Voice • Autobiographical • Puppet Theatre • Claudio Rodríguez • Ecdotics • Poetry reading • Social Novel • Biopolitics • Audio recording • Anthology • Poetics • Author • Fiction • Centre and periphery • Plural writing • Vittorio Bodini • Woman • Author's philology • Kloakada • Chilean Literature • Lina Meruane • Joglars • Look • Archives • Artifice • Illness • Masini • Mimesis • Philology • Exil • Time travel • Einaudi • Labor Market • Painting • Spanish translations • Plurilingualism • Contemplation • Rodoreda
Permalink http://doi.org/10.14277/2037-6588/Ri-39-106-16 | Pubblicato 07 Dicembre 2016 | Lingua es, en, ca, pt, it
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