Lagoonscapes

The Venice Journal of Environmental Humanities

Cracking the Surface: Flows Between Above and Below Ground

open access | peer reviewed
Abstract

‘Cracking the Surface’ is a metaphor that resonates deeply with the contributions to this special issue that began from an interest to compose with and better grasp the movements and interrelationships between, from and across, above and below ground. How to write them up together in a way that is mindful both of human and more-than human actors, materials animate and inanimate, and their respective power relationships? Focusing on matters extracted, others dumped, ground that falls, water that rises, divers that delve, pollution that spills and percolates, villages that collapse and buildings that rise, contributions in this special issue reassemble and reassess the very relationships between above and below ground. To give depth to the surface, contributions from architects, art historians, anthropologists, cultural theorists, film makers, historians, photographers, and a sound artist engage with the volumetric perspective and explore the possibilities that cracks, holes, or pits – as mines, excavations, pits, or water reservoirs – confer conceptually when analyzing the existential threats to our collective conditions of existence on this planet.

Keywords Cormorants (Phalacrocorax carbo sinensis)Toxic commonsMultispecies RelationsVertical Turn in Visual CultureVerticalityAbsenceConstructionLegacy pollutionInfra-solutionismToxicityMemoryAmberUndergroundQuarrySalvageOther-than-humanClimate activismBig TechAnthropoceneSlow violenceVenetian LagoonImaginary fieldworkWasteThe fantasticCarbon RemovalPlaceSpoil tipSinkholesEnergy transitionHistoryRacial CapitalismRemediationTimeReuseMaterial SovereigntySurfacesToxic chemicalsLützerathCritical zoneEva PerónCoal miningHigh-rise housingSpaceHistory of Remote Sensing of the EnvironmentGapsNairobiHeritageQueer GeophysicsExtractionExistential pluralismCoalMemorialsUrban anthropologyDiffractionFloridaSonic epistemologiesNarrative techniquesEntanglementMaterial flowsThe deadTransmediationMiningTranslucenceEastern Germany

Permalink http://doi.org/10.30687/LGSP/2785-2709/2025/01 | Pubblicato 21 Luglio 2025 | Lingua en