Series |
Medieval and Modern Philologies
Volume 15 | Review | The poetriae of the Latin Middle Ages
Abstract
This book offers a reflection upon Medieval Latin artes poetriae and aims to spur the scientific debate on them by means of eleven papers written by internationally-kwown scholars. The essays investigate, according to different perspectives and in different ways, various aspects of the artes: their relations with other texts (Latin and vulgar), their fortune, their sources, the cultural contexts in which they were read and commented, and single authors’ reflections upon specific questions.
Keywords Dantes’s eclogues • Medieval Latin • Mothers • N’Ar de Mons • Petrarch • Medieval latin commentaries • Matthew of Vendôme • Pace da Ferrara • Matthew of Vendome • Medieval literary genres • Etienne Jodelle • Laborintus • List of authors • Medieval rhetoric • Godmothers and foster mothers • Medieval latin pastoral poetry • Defence of poetry • Dante • Allegory • Italy • Humanism • Guizzardo da Bologna • Italian commentaries on the Poetria nova • Metaphor • Bartolomeo da San Concordio • Rota Vergilii • Poetria nova • Politic discourse • Diffusion in Germany • Medieval poetry • Jean de Sponde • Bernardus Silvestris • Grammar • Latin art of poetry • Joglar • Versus rapportati • Medieval poetics • Occitan art of poetry • Poetics • Artes poetriae • Gervase of Melkley • Raimbaut d’Aurenga • Poetic • Rhetoric • Forms of versification • Ramon de Cornet • Arnaut Daniel • Geoffrey of Vinsauf
Permalink http://doi.org/10.30687/978-88-6969-137-9 | e-ISBN 978-88-6969-137-9 | ISBN (PRINT) 978-88-6969-205-5 | Number of pages 316 | Dimensions 16x23cm | Published March 16, 2018 | Language en, it
Copyright © 2018 Gian Carlo Alessio, Domenico Losappio. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Introduzione
Capitoli