Series | Antiquity Studies
Volume 25 | Edited book | Epigraphic Falsification
Abstract
The book investigates the complex articulations of epigraphic forgery, a phenomenon widely attested in Italy between the late Middle Ages and the 18th century. Non-genuine inscriptions or falsae, as Theodor Mommsen called them, are those that present themselves as ancient, but in reality are not. They can be produced either on material support or simply on paper. Within them, different types of documents can be distinguished: forgeries made for malicious purposes, replicas of ancient inscriptions, and texts or monuments inspired by classical epigraphic models. The book brings together fifteen scholarly essays, which examine individual cases of forgery, reconstruct the epistemology of forgery criticism and rehabilitate numerous epigraphs mistakenly believed to be forgeries, while confirming their actual antiquity.
Keywords Internet • Luigi Biraghi • Amphora • Spain • Spurious imitations • CIL VI 991* • Pseudo-antique palaeography • Epigraphy • G • Aqueducts • Renaissance • Mariangelo Accursio • Digital editions • Pirro Ligorio • Fitzwilliam Museum • John Disney • Ciriaco de’ Pizzicolli • Documentary forgeries • Ager Mediolanensis • Intellectual history • Marche • Critical editions • Lex de imperio Vespasiani Antonio Agustín • Non-alphabetic graphemes • Savoy Piedmont • Christian forgeries • Senatus consultum • Meyranesio • Johns Hopkins Archaeological Museum • Jacopo Valvasone • Inscribed zone as decorative surface • Antonio Trevisi • House of Savoy • Roman Liguria • Thomas Hollis • Primacy of Sardinia • Ancient restorations • Council of Trent • CIL VI 990* • Coarse altar • Epigraphic models • Aqua Vergine • Epigraphic research • Aquileia • Forgeries • Forged inscriptions • Epigraphic forgeries • Latin epigraphy • Latin poets of Renaissance • Lucas Peto • Epigraphic forgeries on paper • Forgery • Theodor Mommsen • Manuscript • Copies • Decretum Rubiconis • Fake inscriptions • Casa Museo dell’Antiquariato Ivan Bruschi • Counterfeit instrumentum inscriptum • Pingone • Epitaph • Classical scholarship • Antiquarian market in the early 1900s • Cities • False inscriptions • F • Printed editions • Fake • Antiquarians • Lepontic • Manuscripts • Forged blunder • Epigraph balanced between dimensions and inscripti
Permalink http://doi.org/10.30687/978-88-6969-386-1 | e-ISBN 978-88-6969-386-1 | ISBN (PRINT) 978-88-6969-387-8 | Number of pages 312 | Dimensions 16x23cm | Published Dec. 16, 2019 | Language it, fr, en
Copyright © 2019 Lorenzo Calvelli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
DC Field | Value |
---|---|
dc.identifier |
ECF_book_401 |
dc.creator |
Calvelli Lorenzo |
dc.title |
Epigraphic Falsification. Methods and Case Studies |
dc.type |
Edited book |
dc.language.iso |
it, fr, en |
dc.description.abstract |
The book investigates the complex articulations of epigraphic forgery, a phenomenon widely attested in Italy between the late Middle Ages and the 18th century. Non-genuine inscriptions or falsae, as Theodor Mommsen called them, are those that present themselves as ancient, but in reality are not. They can be produced either on material support or simply on paper. Within them, different types of documents can be distinguished: forgeries made for malicious purposes, replicas of ancient inscriptions, and texts or monuments inspired by classical epigraphic models. The book brings together fifteen scholarly essays, which examine individual cases of forgery, reconstruct the epistemology of forgery criticism and rehabilitate numerous epigraphs mistakenly believed to be forgeries, while confirming their actual antiquity. |
dc.relation.ispartof |
Antiquity Studies |
dc.relation.ispartof |
Storia ed epigrafia |
dc.identifier.doi |
10.30687/978-88-6969-386-1 |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.issued |
2019-12-16 |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-387-8/ |
dc.identifier.issn |
2610-8828 |
dc.identifier.eissn |
2610-9344 |
dc.identifier.isbn |
978-88-6969-387-8 |
dc.identifier.eisbn |
978-88-6969-386-1 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
yes |
dc.subject |
Ager Mediolanensis |
dc.subject |
Ager Mediolanensis |
dc.subject |
Ager Mediolanensis |
dc.subject |
Amphora |
dc.subject |
Amphora |
dc.subject |
Amphora |
dc.subject |
Ancient restorations |
dc.subject |
Ancient restorations |
dc.subject |
Ancient restorations |
dc.subject |
Antiquarian market in the early 1900s |
dc.subject |
Antiquarian market in the early 1900s |
dc.subject |
Antiquarians |
dc.subject |
Antiquarians |
dc.subject |
Antiquarians |
dc.subject |
Antonio Trevisi |
dc.subject |
Antonio Trevisi |
dc.subject |
Antonio Trevisi |
dc.subject |
Aqua Vergine |
dc.subject |
Aqua Vergine |
dc.subject |
Aqua Vergine |
dc.subject |
Aqueducts |
dc.subject |
Aqueducts |
dc.subject |
Aqueducts |
dc.subject |
Aquileia |
dc.subject |
Aquileia |
dc.subject |
Aquileia |
dc.subject |
CIL VI 990* |
dc.subject |
CIL VI 990* |
dc.subject |
CIL VI 990* |
dc.subject |
CIL VI 991* |
dc.subject |
CIL VI 991* |
dc.subject |
CIL VI 991* |
dc.subject |
Casa Museo dell’Antiquariato Ivan Bruschi |
dc.subject |
Casa Museo dell’Antiquariato Ivan Bruschi |
dc.subject |
Christian forgeries |
dc.subject |
Christian forgeries |
dc.subject |
Ciriaco de’ Pizzicolli |
dc.subject |
Ciriaco de’ Pizzicolli |
dc.subject |
Ciriaco de’ Pizzicolli |
dc.subject |
Cities |
dc.subject |
Cities |
dc.subject |
Cities |
dc.subject |
Classical scholarship |
dc.subject |
Classical scholarship |
dc.subject |
Classical scholarship |
dc.subject |
Coarse altar |
dc.subject |
Coarse altar |
dc.subject |
Coarse altar |
dc.subject |
Copies |
dc.subject |
Copies |
dc.subject |
Copies |
dc.subject |
Council of Trent |
dc.subject |
Council of Trent |
dc.subject |
Council of Trent |
dc.subject |
Counterfeit instrumentum inscriptum |
dc.subject |
Counterfeit instrumentum inscriptum |
dc.subject |
Counterfeit instrumentum inscriptum |
dc.subject |
Critical editions |
dc.subject |
Critical editions |
dc.subject |
Critical editions |
dc.subject |
Decretum Rubiconis |
dc.subject |
Decretum Rubiconis |
dc.subject |
Decretum Rubiconis |
dc.subject |
Digital editions |
dc.subject |
Digital editions |
dc.subject |
Digital editions |
dc.subject |
Documentary forgeries |
dc.subject |
Documentary forgeries |
dc.subject |
Documentary forgeries |
dc.subject |
Epigraph balanced between dimensions and inscripti |
dc.subject |
Epigraph balanced between dimensions and inscripti |
dc.subject |
Epigraph balanced between dimensions and inscripti |
dc.subject |
Epigraphic forgeries |
dc.subject |
Epigraphic forgeries |
dc.subject |
Epigraphic forgeries |
dc.subject |
Epigraphic forgeries |
dc.subject |
Epigraphic forgeries |
dc.subject |
Epigraphic forgeries on paper |
dc.subject |
Epigraphic forgeries on paper |
dc.subject |
Epigraphic forgeries on paper |
dc.subject |
Epigraphic models |
dc.subject |
Epigraphic models |
dc.subject |
Epigraphic models |
dc.subject |
Epigraphic research |
dc.subject |
Epigraphic research |
dc.subject |
Epigraphic research |
dc.subject |
Epigraphy |
dc.subject |
Epigraphy |
dc.subject |
Epigraphy |
dc.subject |
Epitaph |
dc.subject |
Epitaph |
dc.subject |
Epitaph |
dc.subject |
F |
dc.subject |
Fake |
dc.subject |
Fake |
dc.subject |
Fake |
dc.subject |
Fake inscriptions |
dc.subject |
Fake inscriptions |
dc.subject |
Fake inscriptions |
dc.subject |
False inscriptions |
dc.subject |
False inscriptions |
dc.subject |
False inscriptions |
dc.subject |
Fitzwilliam Museum |
dc.subject |
Fitzwilliam Museum |
dc.subject |
Fitzwilliam Museum |
dc.subject |
Forged blunder |
dc.subject |
Forged blunder |
dc.subject |
Forged blunder |
dc.subject |
Forged inscriptions |
dc.subject |
Forged inscriptions |
dc.subject |
Forged inscriptions |
dc.subject |
Forgeries |
dc.subject |
Forgeries |
dc.subject |
Forgeries |
dc.subject |
Forgeries |
dc.subject |
Forgeries |
dc.subject |
Forgery |
dc.subject |
Forgery |
dc.subject |
Forgery |
dc.subject |
G |
dc.subject |
G |
dc.subject |
G |
dc.subject |
House of Savoy |
dc.subject |
House of Savoy |
dc.subject |
House of Savoy |
dc.subject |
Inscribed zone as decorative surface |
dc.subject |
Inscribed zone as decorative surface |
dc.subject |
Inscribed zone as decorative surface |
dc.subject |
Intellectual history |
dc.subject |
Intellectual history |
dc.subject |
Intellectual history |
dc.subject |
Internet |
dc.subject |
Internet |
dc.subject |
Internet |
dc.subject |
Jacopo Valvasone |
dc.subject |
Jacopo Valvasone |
dc.subject |
Jacopo Valvasone |
dc.subject |
John Disney |
dc.subject |
John Disney |
dc.subject |
John Disney |
dc.subject |
Johns Hopkins Archaeological Museum |
dc.subject |
Johns Hopkins Archaeological Museum |
dc.subject |
Latin epigraphy |
dc.subject |
Latin epigraphy |
dc.subject |
Latin epigraphy |
dc.subject |
Latin epigraphy |
dc.subject |
Latin epigraphy |
dc.subject |
Latin poets of Renaissance |
dc.subject |
Latin poets of Renaissance |
dc.subject |
Latin poets of Renaissance |
dc.subject |
Lepontic |
dc.subject |
Lepontic |
dc.subject |
Lepontic |
dc.subject |
Lex de imperio Vespasiani Antonio Agustín |
dc.subject |
Lex de imperio Vespasiani Antonio Agustín |
dc.subject |
Lex de imperio Vespasiani Antonio Agustín |
dc.subject |
Lucas Peto |
dc.subject |
Lucas Peto |
dc.subject |
Lucas Peto |
dc.subject |
Luigi Biraghi |
dc.subject |
Luigi Biraghi |
dc.subject |
Luigi Biraghi |
dc.subject |
Manuscript |
dc.subject |
Manuscript |
dc.subject |
Manuscript |
dc.subject |
Manuscripts |
dc.subject |
Manuscripts |
dc.subject |
Manuscripts |
dc.subject |
Manuscripts |
dc.subject |
Manuscripts |
dc.subject |
Marche |
dc.subject |
Marche |
dc.subject |
Marche |
dc.subject |
Mariangelo Accursio |
dc.subject |
Mariangelo Accursio |
dc.subject |
Mariangelo Accursio |
dc.subject |
Meyranesio |
dc.subject |
Meyranesio |
dc.subject |
Meyranesio |
dc.subject |
Non-alphabetic graphemes |
dc.subject |
Non-alphabetic graphemes |
dc.subject |
Non-alphabetic graphemes |
dc.subject |
Pingone |
dc.subject |
Pingone |
dc.subject |
Pingone |
dc.subject |
Pirro Ligorio |
dc.subject |
Pirro Ligorio |
dc.subject |
Pirro Ligorio |
dc.subject |
Pirro Ligorio |
dc.subject |
Pirro Ligorio |
dc.subject |
Primacy of Sardinia |
dc.subject |
Primacy of Sardinia |
dc.subject |
Primacy of Sardinia |
dc.subject |
Printed editions |
dc.subject |
Printed editions |
dc.subject |
Printed editions |
dc.subject |
Pseudo-antique palaeography |
dc.subject |
Pseudo-antique palaeography |
dc.subject |
Renaissance |
dc.subject |
Renaissance |
dc.subject |
Renaissance |
dc.subject |
Roman Liguria |
dc.subject |
Roman Liguria |
dc.subject |
Roman Liguria |
dc.subject |
Savoy Piedmont |
dc.subject |
Savoy Piedmont |
dc.subject |
Savoy Piedmont |
dc.subject |
Senatus consultum |
dc.subject |
Senatus consultum |
dc.subject |
Senatus consultum |
dc.subject |
Spain |
dc.subject |
Spain |
dc.subject |
Spain |
dc.subject |
Spurious imitations |
dc.subject |
Spurious imitations |
dc.subject |
Spurious imitations |
dc.subject |
Theodor Mommsen |
dc.subject |
Theodor Mommsen |
dc.subject |
Theodor Mommsen |
dc.subject |
Thomas Hollis |
dc.subject |
Thomas Hollis |
dc.subject |
Thomas Hollis |
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