Antiquity Studies

The Gift of Altino

Archeology Writings in Honour of Margherita Tirelli

crossmark logo

open access
    edited by
  • Giovannella Cresci Marrone - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Giovanna Gambacurta - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Anna Marinetti - Università Ca’ Foscari Venezia, Italia - email

Abstract
In this volume, colleagues and friends pay tribute to Margherita Tirelli, archaeologist, curious and lively interpreter of an archaeological method that has marked a particularly flourishing season of excavations, discoveries, studies and non-superficial initiatives of valorisation. To Altino, as the progenitor of Venice, Margherita Tirelli has dedicated and continues to dedicate her uninterrupted attention, from the excavations to the delicate transition to the new prestigious museum site. In this perspective, the scholar has developed a fruitful collaboration with the Department of Humanistic Studies of Ca’ Foscari University of Venice, concretised in a convention of studies and research and in six conferences of Altino studies, aimed at investigating various themes: from the funerary to the social and the sacred. The diachronic spectrum of its archaeological, historical and epigraphic interests is reflected in the articulation of the contributions dedicated to it here: from the culture of the ancient Veneti to the themes of Romanity, up to a specific focus on glass production. The volume closes with a work on glass from the ‘historical’ age, a subject that still sees her as a reference figure in the Venetian context, and one dedicated to the choices of museum layout, a subject of communication in which she has been able to combine elegance and effectiveness with her collaborators.

Keywords Spinning • Clause of ‘affective prose’ • Iron Age • Wine • Verona Plain • Shield • Serena • Necropolis • Three-hoops Earrings • LT D1 • Pater patronus • Angelo Barovier • Seascape • Women’s Clothing • Roman and Preroman Antiquity • Altino • Crystal Glass • Remounting Handles • Roman Oderzo • Opistography • Toponomy • Sanctuary • Trade • Aquileia • Murrina • Language change • Etymology • Museum Communication • Maternity • Lineage • Ships • Archaeological Museum • Archaeological Park • Libation • Aedicule • Votive Bronzesheet • Pietro Aretino • Meza Stampaura • Venetic • Preroman Worship • Roads • Epigraphic situation • Miniaturist • Archaeology of Cult • Funeral Ideology • Restoration • Funerary Monument • Early Middle Ages • Flat-bottomed Amphorae • Roman Verona • Bronze Belt • Representativeness of coin finds • Iconography • Patavium • Numismatics • Glass • Harbour • Veneto • Giovanni Da Udine • Altinum • Mosaic Glass • Rosetta • Preroman Veneto • Mime • Enhancement • Late Antiquity • Fresco • Cenomani • Late Roman coins • Dancer • Ritual • Glass Typology • Pantomime • Murano • Management • Museum • Torcello • Roman Necropolis • Adriatic sea • Mould Cast • Cremation • Celtic Grave • Francesco Zen • Late Roman Lead Seals • Honorius and Theodosius II • Museum Display • Roman-byzantine Craftmanship • Museologist • Adige river • Este • Roman Age • Coin finds • Dialogue with the passerby • Situla Art • Arcadius • Pottery Production • Celtic Warriors • Roman Veneto

Permalink http://doi.org/10.30687/978-88-6969-380-9 | e-ISBN 978-88-6969-380-9 | ISBN (PRINT) 978-88-6969-390-8 | Published Dec. 16, 2019 | Language it

Copyright © 2019 Giovannella Cresci Marrone, Giovanna Gambacurta, Anna Marinetti. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.