Library of Rassegna iberistica

Series | Library of Rassegna iberistica
Volume 24 | Edited book | The Admiration of All Mankind

The Admiration of All Mankind

Selected Proceedings of the 14th International Colloquium of the Cervantists’ Association

open access | peer reviewed
    edited by
  • Adrián J. Sáez - Università Ca’ Foscari Venezia, Italia - email

Abstract

In Cervantes’ The Lawyer of Glass there is a great praise of Venice, which is described as “the admiration of all mankind” because of its “infinite riches, her most wise government” and other values that makes it only similar to “the great Mexico”. With this invitation, this book collects the three key-note lectures and a selection of the presentations given at the 14th Coloquio Internacional de la Asociación de Cervantistas (2-4 October 2019), mostly about Cervantes’ theatre, reception and Italian relationships. At the same time, the volume pays tribute to Donatella Pini and Carlos Romero Muñoz, organisers of the classic series “Giornate cervantine”.

Keywords Irony • José Manuel Lucía Megías • María de Zayas • Pride • Narrative transition formulas • Quijote II, 74 • Truth • Parody • Poetics • Rubric • Sergio Pitol • Opera • Elegiac dystic • Cervantes • Cervantes theatre • Biography • Entremés • Timbrio and Silerio • La Galatea • Lofraso • Individuality • Erotic crimes • Metafiction • Orlando furioso • Fiction • Recreation • Comparative study • Society • Dances • La Mancha • Law • Suicide • Individual • Shakespeare • Garcilaso • Madness • Don Quixote • Theogenes • Translation • Poetry • Grammar • Spain • Melancholy • Narrative frame • Libretto • Spanish Court • Orlando innamorato • Jorge García López • English theatre • Villaseñor • Clientelar relationship • Picaresque • History • Viaje del parnaso • Show • Quijote • De senectute • Classic • Mainstreaming • Anticipation • Tirante • Amplificatio of the enunciative system • Don Quijote • Fame • Ludeña • Narrative perspective • Scipio • Body • Error • Music • Theatre • Philology • Novel • Corography • Quixote • Gender • Fielding • Spanish novel • Entremeses • Narratology • Love • Conception of speech • Reception • Testament • Ortega Rosa • Honesto y entretenido sarao • Authentication • Voyage to Parnassus • Miguel de Cervantes • Lie • Quintanar de la Orden • Linguistic deformation • Exemplary Novels • Posthumous fame • Hypothetical and narrative discourse • Intertextuality • Italy • Romantic irony • Judgment • Inserted poetry • Revival • Tríptico del carnaval • Novelas ejemplares • Antonio de la Peña • Royal Court • Contemporary theatre • Scrutiny • Persiles • Jordi Gracia • El Toboso • Library • Avellaneda • Golden Age theatre • Galatea • Interlacing • Veridiction • Carla Perugini

Permalink http://doi.org/10.30687/978-88-6969-579-7 | e-ISBN 978-88-6969-579-7 | ISBN (PRINT) 978-88-6969-580-3 | Number of pages 426 | Dimensions 16x23cm | Published Dec. 1, 2021 | Language es

Copyright © 2021 Adrián J. Sáez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

chevron_left chevron_right

downloadfile_download

  • file_download 2
  • search 9
  • format_quote 0

Table of contents

Se trovi interessanti le nostre pubblicazioni e vuoi ricevere aggiornamenti sulle prossime uscite, iscriviti ora alla nostra newsletter.

x

Newsletter