Library of Rassegna iberistica

The Admiration of All Mankind

Selected Proceedings of the 14th International Colloquium of the Cervantists’ Association

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open access | peer reviewed
    edited by
  • Adrián J. Sáez - Università Ca’ Foscari Venezia, Italia - email

Abstract

In Cervantes’ The Lawyer of Glass there is a great praise of Venice, which is described as “the admiration of all mankind” because of its “infinite riches, her most wise government” and other values that makes it only similar to “the great Mexico”. With this invitation, this book collects the three key-note lectures and a selection of the presentations given at the 14th Coloquio Internacional de la Asociación de Cervantistas (2-4 October 2019), mostly about Cervantes’ theatre, reception and Italian relationships. At the same time, the volume pays tribute to Donatella Pini and Carlos Romero Muñoz, organisers of the classic series “Giornate cervantine”.

Keywords Honesto y entretenido sarao • Parody • History • Melancholy • Inserted poetry • Interlacing • Dances • Anticipation • Opera • Library • Narrative perspective • Villaseñor • Revival • Judgment • Hypothetical and narrative discourse • La Galatea • Carla Perugini • Authentication • Narratology • Don Quijote • Recreation • Viaje del parnaso • Suicide • Don Quixote • Ortega Rosa • Biography • Royal Court • Golden Age theatre • Avellaneda • Lofraso • Clientelar relationship • Galatea • Miguel de Cervantes • Fame • Jorge García López • Italy • Erotic crimes • Society • Persiles • Spanish novel • English theatre • Quintanar de la Orden • Tirante • José Manuel Lucía Megías • Philology • Scrutiny • Body • Fielding • Reception • Testament • Theatre • Gender • Grammar • Narrative transition formulas • Law • Quijote • Linguistic deformation • Fiction • El Toboso • Elegiac dystic • Classic • Orlando innamorato • Libretto • Comparative study • Ludeña • Novel • Music • Picaresque • Narrative frame • Garcilaso • Sergio Pitol • Poetics • Pride • María de Zayas • Jordi Gracia • Conception of speech • Madness • Intertextuality • Timbrio and Silerio • Scipio • Voyage to Parnassus • Theogenes • Antonio de la Peña • Contemporary theatre • Quijote II, 74 • Tríptico del carnaval • Individuality • Shakespeare • Truth • Spain • La Mancha • Quixote • Entremeses • Novelas ejemplares • Spanish Court • Show • Entremés • Cervantes • Individual • Metafiction • Exemplary Novels • Posthumous fame • Cervantes theatre • Poetry • Amplificatio of the enunciative system • Love • Rubric • Irony • Corography • Orlando furioso • De senectute • Translation • Mainstreaming • Veridiction • Lie • Romantic irony • Error

Permalink http://doi.org/10.30687/978-88-6969-579-7 | e-ISBN 978-88-6969-579-7 | ISBN (PRINT) 978-88-6969-580-3 | Number of pages 426 | Dimensions 16x23cm | Published Dec. 1, 2021 | Language es

Copyright © 2021 Adrián J. Sáez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.