Library of Rassegna iberistica

Series | Library of Rassegna iberistica
Volume 24 | Edited book | The Admiration of All Mankind

The Admiration of All Mankind

Selected Proceedings of the 14th International Colloquium of the Cervantists’ Association
open access | peer reviewed
    edited by
  • Adrián J. Sáez - Università Ca’ Foscari Venezia, Italia - email

Abstract

In Cervantes’ The Lawyer of Glass there is a great praise of Venice, which is described as “the admiration of all mankind” because of its “infinite riches, her most wise government” and other values that makes it only similar to “the great Mexico”. With this invitation, this book collects the three key-note lectures and a selection of the presentations given at the 14th Coloquio Internacional de la Asociación de Cervantistas (2-4 October 2019), mostly about Cervantes’ theatre, reception and Italian relationships. At the same time, the volume pays tribute to Donatella Pini and Carlos Romero Muñoz, organisers of the classic series “Giornate cervantine”.

Keywords History • Lofraso • Don Quijote • Comparative study • Jorge García López • Galatea • Classic • Exemplary Novels • Error • Melancholy • Society • Reception • Show • Body • Golden Age theatre • Narrative frame • Biography • Fielding • Anticipation • El Toboso • Ortega Rosa • Revival • Clientelar relationship • Opera • Voyage to Parnassus • Narratology • Authentication • Romantic irony • Law • Posthumous fame • Cervantes • Entremés • Translation • Rubric • Orlando innamorato • Inserted poetry • Parody • Cervantes theatre • Testament • Carla Perugini • Recreation • Libretto • La Galatea • Viaje del parnaso • Sergio Pitol • Picaresque • Miguel de Cervantes • Quixote • Villaseñor • Irony • Intertextuality • Love • Theatre • Shakespeare • Don Quixote • Scipio • Entremeses • Judgment • Avellaneda • Narrative transition formulas • Spanish Court • Tirante • Royal Court • Fiction • La Mancha • Poetry • Timbrio and Silerio • Gender • Interlacing • Individuality • Amplificatio of the enunciative system • Quijote • Truth • Spanish novel • Theogenes • Ludeña • Individual • Spain • Corography • Mainstreaming • Pride • Novel • Scrutiny • Madness • Tríptico del carnaval • Fame • Antonio de la Peña • Contemporary theatre • José Manuel Lucía Megías • Metafiction • Garcilaso • Hypothetical and narrative discourse • Novelas ejemplares • Honesto y entretenido sarao • Music • Dances • Erotic crimes • María de Zayas • Suicide • Orlando furioso • Lie • Persiles • Linguistic deformation • Philology • Conception of speech • Quijote II, 74 • Poetics • Grammar • Veridiction • Library • De senectute • Narrative perspective • Italy • English theatre • Quintanar de la Orden • Elegiac dystic • Jordi Gracia

Permalink http://doi.org/10.30687/978-88-6969-579-7 | e-ISBN 978-88-6969-579-7 | ISBN (PRINT) 978-88-6969-580-3 | Number of pages 426 | Dimensions 16x23cm | Published Dec. 1, 2021 | Language es

Copyright © 2021 Adrián J. Sáez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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