Unseen Memories

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DC Field	Value
dc.identifier	ECF_chapter_19560
dc.contributor.author	Bertoli Angelica
dc.title	Unseen Memories. Exploring Imagery in Jeremy Deller’s We’re Here Because We’re Here and the 14-18 NOW Project
dc.type	Chapter
dc.language.iso	en
dc.description.abstract	This essay aims to investigate the intricate interplay between visual arts and theatrical events by conducting an in-depth analysis of how their convergence can create impactful imagery; it will deal with 14-18 NOW, a cultural programme that took place around the United Kingdom to commemorate the centenary of the First World War. Within this context, the author will particularly focus on artist Jeremy Deller’s performative and participatory project entitled We’re Here Because We’re Here. This case of study is significant as it represents a ‘performative apparatus’ that opens to some interdisciplinary artistic practices at the turn of the 21st century.
dc.relation.ispartof	Quaderni di Venezia Arti
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.issued	2023-12-22
dc.dateAccepted	2023-10-30
dc.dateSubmitted	2023-09-17
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-771-5/unseen-memories/
dc.identifier.doi	10.30687/978-88-6969-771-5/016
dc.identifier.eissn	2784-8868
dc.identifier.isbn
dc.identifier.eisbn	978-88-6969-771-5
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes

Chapter
open access peer reviewed

Unseen Memories

Exploring Imagery in Jeremy Deller’s We’re Here Because We’re Here and the 14-18 NOW Project

Angelica Bertoli Università Ca’ Foscari Venezia, Italia

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abstract

This essay aims to investigate the intricate interplay between visual arts and theatrical events by conducting an in-depth analysis of how their convergence can create impactful imagery; it will deal with 14-18 NOW, a cultural programme that took place around the United Kingdom to commemorate the centenary of the First World War. Within this context, the author will particularly focus on artist Jeremy Deller’s performative and participatory project entitled We’re Here Because We’re Here. This case of study is significant as it represents a ‘performative apparatus’ that opens to some interdisciplinary artistic practices at the turn of the 21st century.

Published

Dec. 22, 2023

Accepted

Oct. 30, 2023

Submitted

Sept. 17, 2023

Language

ISBN (EBOOK)

978-88-6969-771-5

permalink: http://doi.org/10.30687/978-88-6969-771-5/016

Copyright: © 2023 Angelica Bertoli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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