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Augusto Burchi e la cultura revivalistica a Firenze

Daniele Galleni    Scuola Normale Superiore di Pisa, Italia    

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abstract

In the Florence of the second half of the 19th century, the cult of the past was of primary importance. The life and work of Augusto Burchi (1853-1919) could be interpreted as a paradigmatic example of this cultural milieu, of its patrons and its goals. Burchi’s training – that was not academic - shows the rediscovery and assimilation of styles from the past by local decorators and craftsmen while the analysis of some his most important works helps to appreciate the different meanings accorded to this peculiar ornamental language by an élite of both local and foreigners rich patrons. The final phase of his artistic career also reveals a change in the public eye: indeed, a new trend for ‘modern’ decoration is emerging.

Published
July 26, 2021
Accepted
April 19, 2021
Submitted
Feb. 21, 2021
Language
IT

Keywords: History of FlorenceAugusto BurchiMedieval and Renaissance RevivalPatrons and artistsGalileo Chini

Copyright: © 2021 Daniele Galleni. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.