Journal | JoLMA
Journal issue | 5 | 1 | 2024
The Art of Mapping Between Land and Mind
open access | peer reviewed-
edited by
- Francesco Ragazzi - Università Ca’ Foscari Venezia, Italia; Paris 1 Panthéon-Sorbonne, France - email
In the creation of maps, scientific knowledge related to mathematics and physics combines with knowledge specific to graphic or artistic disciplines. Since all maps are artifacts whose aesthetic qualities convey information that simultaneously engages the fields of ontology, epistemology, and politics, they are objects of undeniable interest for philosophical inquiry. Following what has been termed “the cartographic turn in social sciences”, The Art of Mapping Between Land and Mind delves into two intertwining issues. On one side, it examines how the aesthetic properties of maps convey cognitive, cultural, and political meanings. On the other, it explores the role of visual arts in reflecting on cartographic thought, shaping both its methods and motivations. The volume is divided into four sections. Embracing the point of view of both the philosopher and the geographer, the first one sheds light on the relationship between epistemology and cartography (Kukla; Costantini; Tanney). The second addresses mapmaking as an art form (Tanca; Haugdal) or, conversely, considers maps from the perspective of their aesthetic properties (Török; Ogundiwin; Elhaik). The third focuses on the digital condition of today’s cartography (Tschochohei; Quaranta; Keller). Finally, the last section includes two contributions that represent attempts to guide cartography toward its future (Bosca; Ianniello). Opening this issue, a special essay by Elizabeth Povinelli offers a generous précis of her upcoming book.
Keywords Cartographic Styles • Nelson Goodman • Drone photography • Immanuel Kant • Italian colonial cartography • Territory • Settler Colonialism • Digital • Category-mistake • Mind • Sound • Conceptual analysis • Walter Benjamin • Michel Serres • Strait • System • Vertical perspective • Geontopower • Spatiality • Systematic ambiguity • Hans Ragnar Mathisen • Monsters • Topographic mapping • Digitalisation • Libyan Desert • Contemporary art • Sámi Art • Logic • Blank spot • Geographic Information Systems • Iconology • Representational Risk • Clouds • Transcendental illusion • Mapping • Symbol • Aesthetics in Science • Conceptual cartography • Mapping processes • Fluidity • Marine ecology • Geographic ontology • Biston betularia carbonaria • Philosophy • Physical Geography • Scopic regime • Yorùbáland • Maps • Eco-dystopia • Epistemology • Allegory • Surveillance technologies • Epistemic Risk • Worlding • Counter-mapping • Symbolic Representation • Art • Geography • Recording • Cartography • Hyperobjects • Ryle • Palimpsest • Machine gaze • Sea • Ocean • Indigenous cartography • Cetaceans • Race • Climate-change • Semiotics • Map • Ecology
Permalink http://doi.org/10.30687/Jolma/2723-9640/2024/01 | Published July 26, 2024 | Language en
Copyright © Francesco Ragazzi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
