Eurasiatica

Quaderni di studi su Balcani, Anatolia, Iran, Caucaso e Asia Centrale

Representing the Bektashis

Exploring Epistemologies in Visual Anthropology

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Abstract

As a professional photojournalist collaborating with anthropologists, I have often confronted perspectives from academic scholars with little (if none) practical knowledge of, attention to, and understanding of the visual medium. In such a context, current theoretical approaches to how visual cultures are thought and signified, might offer a valuable and clarifying occasion to address the profound misconceptions visual media, and photography particularly, suffer. Based on my 2008 fieldwork on the Bektashi community in Albania, I aim to foster montage as a practical tool for visual signification of anthropological research. By applying the professional photographer’s hands-on expertise to the academic field of anthropology, and of visual anthropology specifically, I will eventually advocate for a more articulated and aesthetic-led understanding of visual communication.


Open access

Lingua: it

Keywords Albania • Photojournalism • Bekthasism • Montage • Visual anthropology

Copyright © 2016 Massimiliano Fusari. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Permalink http://doi.org/10.14277/6969-085-3/EUR-6-24


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