Studi e ricerche

The Merchant in Venice: Shakespeare in the Ghetto

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open access
    a cura di
  • Shaul Bassi - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Carol Chillington Rutter - University of Warwick, UK - email

Abstract

This book records the landmark performance of The Merchant of Venice in the Venetian Ghetto in 2016, the 400th anniversary of Shakespeare’s death and the 500th anniversary of the Jewish quarter that gave the world the word ‘ghetto’. Practitioners and critics discuss how this multi-ethnic production and its radical choice to cast five actors as Shylock provided the opportunity to respond creatively to Europe’s legacy of antisemitism, racism and difference. They observe how the place and play stand as ambivalent documents of civilization: instruments of intolerance but also sites of cultural exchange.

Keywords GratianoHistoryMusicShylockSite specific performanceChildren reading ShakespeareAdrian BeechamMario Castelnuovo-TedescoTranslationLorenzoCostume designShakespeare’s comedies of loveFJosef BJewsCompagnia de’ ColombariCiro PinsutiGhettoKarin CoonrodLancelot GobboLewis CarrollOtto TaubmannVeniceDirecting ShakespeareRehearsalFoersterAntisemitismHumanitiesPerforming ShakespeareLighting designRuth Bader GinsburgMurray AbrahamThe Merchant in the GhettoAestheticismCharles and Mary LambThe Merchant of VeniceTheatre designThe Merchant of Venice in the GhettoHolocaustAdaptationNarrativizationFictionChromaticismMusic designMock Appeal: Shylock vPortiaSite-specific performanceMercyAldo FinziJessicaThe quality of mercyBassanioOperaGeorge Braque and ShakespeareDesigning ShakespeareMemorySite-specific designAdapting ShakespeareReynaldo HahnShakespeare’s trial scenesActors on ShakespeareHeritageMock Trial: Shylock vSite-specific ShakespeareAntonioLaurence OlivierChildren’s literature

Permalink http://doi.org/10.30687/978-88-6969-503-2 | e-ISBN 978-88-6969-503-2 | ISBN (PRINT) 978-88-6969-504-9 | Numero pagine 238 | Dimensioni 16x23cm | Pubblicato 10 Giugno 2021 | Lingua en