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Volume 25 | Miscellanea | The Merchant in Venice: Shakespeare in the Ghetto
The Merchant in Venice: Shakespeare in the Ghetto
open access
-
a cura di
- Shaul Bassi - Università Ca’ Foscari Venezia, Italia - email orcid profile
- Carol Chillington Rutter - University of Warwick, UK - email
Abstract
This book records the landmark performance of The Merchant of Venice in the Venetian Ghetto in 2016, the 400th anniversary of Shakespeare’s death and the 500th anniversary of the Jewish quarter that gave the world the word ‘ghetto’. Practitioners and critics discuss how this multi-ethnic production and its radical choice to cast five actors as Shylock provided the opportunity to respond creatively to Europe’s legacy of antisemitism, racism and difference. They observe how the place and play stand as ambivalent documents of civilization: instruments of intolerance but also sites of cultural exchange.
Keywords Narrativization • Rehearsal • Children’s literature • Karin Coonrod • Holocaust • George Braque and Shakespeare • Murray Abraham • Shakespeare’s comedies of love • Directing Shakespeare • Site-specific performance • Site-specific Shakespeare • Aldo Finzi • Translation • Josef B • Heritage • Reynaldo Hahn • Otto Taubmann • Jessica • Laurence Olivier • Shakespeare’s trial scenes • Music • Children reading Shakespeare • Ghetto • Adapting Shakespeare • Chromaticism • Humanities • Memory • Opera • Mercy • Bassanio • Performing Shakespeare • Costume design • Lighting design • Antisemitism • The Merchant of Venice in the Ghetto • Designing Shakespeare • Venice • Site-specific design • Gratiano • Compagnia de’ Colombari • Lewis Carroll • Lancelot Gobbo • Actors on Shakespeare • Aestheticism • Lorenzo • Mock Appeal: Shylock v • History • Mock Trial: Shylock v • Theatre design • Adaptation • Antonio • Fiction • Ruth Bader Ginsburg • Shylock • Site specific performance • The Merchant in the Ghetto • The Merchant of Venice • F • Ciro Pinsuti • Jews • Music design • The quality of mercy • Mario Castelnuovo-Tedesco • Foerster • Charles and Mary Lamb • Adrian Beecham • Portia
Permalink http://doi.org/10.30687/978-88-6969-503-2 | e-ISBN 978-88-6969-503-2 | ISBN (PRINT) 978-88-6969-504-9 | Numero pagine 238 | Dimensioni 16x23cm | Pubblicato 10 Giugno 2021 | Lingua en
Copyright © 2021 Shaul Bassi, Carol Chillington Rutter. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
- Introduction
- 10 Giugno 2021
Part 1. Making The Merchant in the Ghetto
- “Shylock is Dead”: Shakespeare In and Beyond the Ghetto
- 10 Giugno 2021
- Gathering Strangers
- 10 Giugno 2021
- The Actors Speak
- 10 Giugno 2021
- Playing the Angles: Finding Shylock and Gratiano
- 10 Giugno 2021
Part 2. Taking The Merchant Beyond the Ghetto
- The Merchant ‘in’ Venice and The Shylock Project: Fiction, History, and the Humanities
- 10 Giugno 2021
- Shylock, Our Contemporary
- 10 Giugno 2021
- Shylock’s Mock Appeal
- 10 Giugno 2021
- Trying Portia
- 10 Giugno 2021
