Studi e ricerche

The Merchant in Venice: Shakespeare in the Ghetto

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open access
    edited by
  • Shaul Bassi - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Carol Chillington Rutter - University of Warwick, UK - email

Abstract

This book records the landmark performance of The Merchant of Venice in the Venetian Ghetto in 2016, the 400th anniversary of Shakespeare’s death and the 500th anniversary of the Jewish quarter that gave the world the word ‘ghetto’. Practitioners and critics discuss how this multi-ethnic production and its radical choice to cast five actors as Shylock provided the opportunity to respond creatively to Europe’s legacy of antisemitism, racism and difference. They observe how the place and play stand as ambivalent documents of civilization: instruments of intolerance but also sites of cultural exchange.

Keywords ShylockRuth Bader GinsburgLaurence OlivierLighting designJewsMario Castelnuovo-TedescoRehearsalMusicChromaticismMock Trial: Shylock vThe Merchant in the GhettoDirecting ShakespeareGratianoMusic designCharles and Mary LambActors on ShakespeareAldo FinziJessicaLorenzoSite-specific ShakespeareSite-specific performanceBassanioHeritageHumanitiesKarin CoonrodMock Appeal: Shylock vShakespeare’s comedies of lovePortiaLancelot GobboAdaptationDesigning ShakespeareMercyFictionPerforming ShakespeareAdrian BeechamThe quality of mercyReynaldo HahnChildren’s literatureCiro PinsutiShakespeare’s trial scenesMemoryLewis CarrollThe Merchant of Venice in the GhettoVeniceChildren reading ShakespeareFoersterGeorge Braque and ShakespeareCostume designMurray AbrahamThe Merchant of VeniceHistoryAdapting ShakespeareTranslationAntisemitismNarrativizationSite specific performanceTheatre designGhettoJosef BOtto TaubmannSite-specific designAestheticismAntonioOperaFCompagnia de’ ColombariHolocaust

Permalink http://doi.org/10.30687/978-88-6969-503-2 | e-ISBN 978-88-6969-503-2 | ISBN (PRINT) 978-88-6969-504-9 | Number of pages 238 | Dimensions 16x23cm | Published June 10, 2021 | Language en