Studi e ricerche

The Merchant in Venice: Shakespeare in the Ghetto

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open access
    edited by
  • Shaul Bassi - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Carol Chillington Rutter - University of Warwick, UK - email

Abstract

This book records the landmark performance of The Merchant of Venice in the Venetian Ghetto in 2016, the 400th anniversary of Shakespeare’s death and the 500th anniversary of the Jewish quarter that gave the world the word ‘ghetto’. Practitioners and critics discuss how this multi-ethnic production and its radical choice to cast five actors as Shylock provided the opportunity to respond creatively to Europe’s legacy of antisemitism, racism and difference. They observe how the place and play stand as ambivalent documents of civilization: instruments of intolerance but also sites of cultural exchange.

Keywords The Merchant in the GhettoMusicThe Merchant of Venice in the GhettoThe quality of mercyAestheticismJewsJessicaRuth Bader GinsburgBassanioShylockPerforming ShakespeareKarin CoonrodNarrativizationLewis CarrollGhettoReynaldo HahnMock Trial: Shylock vThe Merchant of VeniceAntisemitismMercyVeniceShakespeare’s comedies of loveDirecting ShakespeareChildren’s literatureLancelot GobboDesigning ShakespeareOtto TaubmannAdrian BeechamLighting designCostume designHistoryChromaticismMemoryCharles and Mary LambSite-specific ShakespeareChildren reading ShakespeareMusic designTranslationRehearsalCiro PinsutiFHumanitiesGratianoAdaptationHolocaustAldo FinziAdapting ShakespeareFictionGeorge Braque and ShakespeareLaurence OlivierOperaJosef BMock Appeal: Shylock vPortiaMario Castelnuovo-TedescoSite-specific designLorenzoMurray AbrahamSite-specific performanceCompagnia de’ ColombariFoersterTheatre designSite specific performanceHeritageShakespeare’s trial scenesAntonioActors on Shakespeare

Permalink http://doi.org/10.30687/978-88-6969-503-2 | e-ISBN 978-88-6969-503-2 | ISBN (PRINT) 978-88-6969-504-9 | Number of pages 238 | Dimensions 16x23cm | Published June 10, 2021 | Language en