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The Merchant in Venice: Shakespeare in the Ghetto

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Abstract

This book records the landmark performance of The Merchant of Venice in the Venetian Ghetto in 2016, the 400th anniversary of Shakespeare’s death and the 500th anniversary of the Jewish quarter that gave the world the word ‘ghetto’. Practitioners and critics discuss how this multi-ethnic production and its radical choice to cast five actors as Shylock provided the opportunity to respond creatively to Europe’s legacy of antisemitism, racism and difference. They observe how the place and play stand as ambivalent documents of civilization: instruments of intolerance but also sites of cultural exchange.

Keywords Theatre designDesigning ShakespeareShakespeare’s trial scenesThe Merchant of Venice in the GhettoSite-specific performanceRuth Bader GinsburgMario Castelnuovo-TedescoGhettoBassanioAdapting ShakespeareAestheticismGeorge Braque and ShakespeareHeritageHolocaustGratianoHistoryKarin CoonrodNarrativizationPerforming ShakespearePortiaSite-specific designMock Trial: Shylock vLewis CarrollOtto TaubmannCiro PinsutiDirecting ShakespeareSite specific performanceAdrian BeechamFoersterHumanitiesRehearsalMercyLighting designMemoryLorenzoShakespeare’s comedies of loveFictionTranslationThe Merchant of VeniceAldo FinziMusic designJewsVeniceChromaticismCharles and Mary LambChildren’s literatureAntisemitismOperaFJosef BCompagnia de’ ColombariJessicaThe Merchant in the GhettoMusicChildren reading ShakespeareAdaptationCostume designMock Appeal: Shylock vMurray AbrahamThe quality of mercyShylockLancelot GobboReynaldo HahnAntonioSite-specific ShakespeareLaurence OlivierActors on Shakespeare

Thema codes DSGATD5PX-GB-S1DST-IT-NVE

Permalink http://doi.org/10.30687/978-88-6969-503-2 | e-ISBN 978-88-6969-503-2 | ISBN (PRINT) 978-88-6969-504-9 | Number of pages 238 | Dimensions 16x23cm | Published June 10, 2021 | Language en