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The Merchant in Venice: Shakespeare in the Ghetto

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Abstract

This book records the landmark performance of The Merchant of Venice in the Venetian Ghetto in 2016, the 400th anniversary of Shakespeare’s death and the 500th anniversary of the Jewish quarter that gave the world the word ‘ghetto’. Practitioners and critics discuss how this multi-ethnic production and its radical choice to cast five actors as Shylock provided the opportunity to respond creatively to Europe’s legacy of antisemitism, racism and difference. They observe how the place and play stand as ambivalent documents of civilization: instruments of intolerance but also sites of cultural exchange.

Keywords The quality of mercyActors on ShakespeareMock Trial: Shylock vSite-specific designThe Merchant of VeniceBassanioLighting designHolocaustNarrativizationThe Merchant of Venice in the GhettoMusic designSite-specific ShakespeareHeritageGhettoAestheticismLewis CarrollCostume designDirecting ShakespeareKarin CoonrodTheatre designFCiro PinsutiHumanitiesCompagnia de’ ColombariOtto TaubmannThe Merchant in the GhettoMusicChromaticismAldo FinziJosef BChildren’s literatureMurray AbrahamMock Appeal: Shylock vChildren reading ShakespeareRehearsalShakespeare’s trial scenesMercyAdapting ShakespeareMario Castelnuovo-TedescoDesigning ShakespeareAdrian BeechamAntonioAntisemitismLaurence OlivierPerforming ShakespeareJewsFictionFoersterLorenzoRuth Bader GinsburgSite specific performanceJessicaGeorge Braque and ShakespeareVeniceLancelot GobboMemoryShakespeare’s comedies of loveAdaptationCharles and Mary LambReynaldo HahnSite-specific performanceShylockPortiaHistoryTranslationOperaGratiano

Thema codes DSGATD5PX-GB-S1DST-IT-NVE

Permalink http://doi.org/10.30687/978-88-6969-503-2 | e-ISBN 978-88-6969-503-2 | ISBN (PRINT) 978-88-6969-504-9 | Numero pagine 238 | Dimensioni 16x23cm | Pubblicato 10 Giugno 2021 | Lingua en