Studi e ricerche

The Merchant in Venice: Shakespeare in the Ghetto

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open access
    a cura di
  • Shaul Bassi - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Carol Chillington Rutter - University of Warwick, UK - email

Abstract

This book records the landmark performance of The Merchant of Venice in the Venetian Ghetto in 2016, the 400th anniversary of Shakespeare’s death and the 500th anniversary of the Jewish quarter that gave the world the word ‘ghetto’. Practitioners and critics discuss how this multi-ethnic production and its radical choice to cast five actors as Shylock provided the opportunity to respond creatively to Europe’s legacy of antisemitism, racism and difference. They observe how the place and play stand as ambivalent documents of civilization: instruments of intolerance but also sites of cultural exchange.

Keywords JessicaSite-specific designHumanitiesJosef BAestheticismMario Castelnuovo-TedescoMercyMemoryNarrativizationThe Merchant of VeniceSite-specific performanceFoersterAdrian BeechamHistoryLewis CarrollThe quality of mercyActors on ShakespeareOperaTranslationCompagnia de’ ColombariLorenzoSite-specific ShakespeareChromaticismFictionCiro PinsutiGhettoAntonioShakespeare’s comedies of loveLighting designTheatre designChildren’s literatureRehearsalGratianoPortiaBassanioHeritageLaurence OlivierThe Merchant of Venice in the GhettoSite specific performanceRuth Bader GinsburgJewsMusic designGeorge Braque and ShakespeareMock Trial: Shylock vMusicChildren reading ShakespeareReynaldo HahnVeniceCharles and Mary LambLancelot GobboOtto TaubmannHolocaustAdaptationDesigning ShakespeareFDirecting ShakespeareThe Merchant in the GhettoMurray AbrahamAldo FinziMock Appeal: Shylock vCostume designPerforming ShakespeareShakespeare’s trial scenesShylockAdapting ShakespeareAntisemitismKarin Coonrod

Permalink http://doi.org/10.30687/978-88-6969-503-2 | e-ISBN 978-88-6969-503-2 | ISBN (PRINT) 978-88-6969-504-9 | Numero pagine 238 | Dimensioni 16x23cm | Pubblicato 10 Giugno 2021 | Lingua en