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The Merchant in Venice: Shakespeare in the Ghetto

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Abstract

This book records the landmark performance of The Merchant of Venice in the Venetian Ghetto in 2016, the 400th anniversary of Shakespeare’s death and the 500th anniversary of the Jewish quarter that gave the world the word ‘ghetto’. Practitioners and critics discuss how this multi-ethnic production and its radical choice to cast five actors as Shylock provided the opportunity to respond creatively to Europe’s legacy of antisemitism, racism and difference. They observe how the place and play stand as ambivalent documents of civilization: instruments of intolerance but also sites of cultural exchange.

Keywords VeniceAdaptationSite-specific ShakespeareJosef BMercyRuth Bader GinsburgHeritageMusic designGhettoLancelot GobboHistoryChildren reading ShakespeareGeorge Braque and ShakespeareShakespeare’s trial scenesGratianoCostume designShakespeare’s comedies of loveActors on ShakespeareNarrativizationJewsThe quality of mercyMusicHolocaustChildren’s literatureMario Castelnuovo-TedescoFoersterReynaldo HahnOperaFRehearsalCiro PinsutiFictionThe Merchant in the GhettoHumanitiesChromaticismAntonioShylockAestheticismLighting designSite-specific designDirecting ShakespeareAdrian BeechamKarin CoonrodMurray AbrahamPortiaSite specific performanceMock Trial: Shylock vAntisemitismDesigning ShakespeareAdapting ShakespeareSite-specific performanceOtto TaubmannPerforming ShakespeareTranslationCompagnia de’ ColombariLewis CarrollThe Merchant of VeniceThe Merchant of Venice in the GhettoLaurence OlivierLorenzoMemoryBassanioMock Appeal: Shylock vAldo FinziTheatre designCharles and Mary LambJessica

Thema codes DSGATD5PX-GB-S1DST-IT-NVE

Permalink http://doi.org/10.30687/978-88-6969-503-2 | e-ISBN 978-88-6969-503-2 | ISBN (PRINT) 978-88-6969-504-9 | Numero pagine 238 | Dimensioni 16x23cm | Pubblicato 10 Giugno 2021 | Lingua en