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The Merchant in Venice: Shakespeare in the Ghetto

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Abstract

This book records the landmark performance of The Merchant of Venice in the Venetian Ghetto in 2016, the 400th anniversary of Shakespeare’s death and the 500th anniversary of the Jewish quarter that gave the world the word ‘ghetto’. Practitioners and critics discuss how this multi-ethnic production and its radical choice to cast five actors as Shylock provided the opportunity to respond creatively to Europe’s legacy of antisemitism, racism and difference. They observe how the place and play stand as ambivalent documents of civilization: instruments of intolerance but also sites of cultural exchange.

Keywords MusicRuth Bader GinsburgKarin CoonrodJessicaChromaticismDesigning ShakespeareMock Appeal: Shylock vSite-specific ShakespeareThe Merchant of VeniceLewis CarrollChildren’s literatureTranslationBassanioJewsHeritageOtto TaubmannMock Trial: Shylock vThe Merchant in the GhettoVeniceTheatre designHistoryPerforming ShakespeareThe quality of mercySite-specific designReynaldo HahnAdrian BeechamMusic designActors on ShakespeareHumanitiesPortiaRehearsalAdaptationCostume designSite specific performanceLaurence OlivierHolocaustJosef BMurray AbrahamGeorge Braque and ShakespeareSite-specific performanceFoersterGhettoMario Castelnuovo-TedescoAntisemitismMemoryShakespeare’s trial scenesDirecting ShakespeareCompagnia de’ ColombariAdapting ShakespeareLighting designMercyAntonioFictionThe Merchant of Venice in the GhettoShakespeare’s comedies of loveCharles and Mary LambGratianoLancelot GobboOperaNarrativizationAestheticismFCiro PinsutiLorenzoAldo FinziShylockChildren reading Shakespeare

Thema codes DSGATD5PX-GB-S1DST-IT-NVE

Permalink http://doi.org/10.30687/978-88-6969-503-2 | e-ISBN 978-88-6969-503-2 | ISBN (PRINT) 978-88-6969-504-9 | Numero pagine 238 | Dimensioni 16x23cm | Pubblicato 10 Giugno 2021 | Lingua en