Collana | Studi e ricerche
Miscellanea | The Merchant in Venice: Shakespeare in the Ghetto
Capitolo | Collaborative Spectacle: Designing The Merchant in the Ghetto
Collaborative Spectacle: Designing The Merchant in the Ghetto
Abstract
Karin Coonrod describes Compagnia de’ Colombari as an ‘international collective’ that ‘generates spectacle wherever we go’ – a collaboration of energy, creativity and theatricality nourished by different cultures, histories, traditions, disciplines and techniques. In this chapter we hear from three theatre makers whose collaborative work on The Merchant ‘in’ Venice shaped the ‘spectacle’ of this production. Designing its costumes (Stefano Nicolao), music (Frank London) and lighting (Peter Ksander), they established how this production looked and sounded and designed a world for the actors to inhabit.
Pubblicato 10 Giugno 2021 | Lingua: en
Keywords Lighting design • Designing Shakespeare • Costume design • Theatre design • The Merchant of Venice • Music design • Compagnia de’ Colombari • Site-specific design
Copyright © 2021 Frank London, Stefano Nicolao, Peter Ksander. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-503-2/003
