Introductory remarks

• Introductory remarks
• Prossimamente

Self-Definition and Self-Questioning: Image-Making as a Political Tool

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• 22 Dicembre 2023

• Reworking National History
  The Representation of Power and its Subsequent Overturning in Relation to Postcolonial Art in Italy
• Jacopo De Blasio
• 22 Dicembre 2023

Artistic Expression and Political Power in Late Medieval and Renaissance Venice

• Reflections of Venetian Cittadini Originari
  The Zamberti Family: A Case Study
• Anna Bernante
• 22 Dicembre 2023

• Beyond the Image of Submission
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• 22 Dicembre 2023

• Words For/Against Power
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• 22 Dicembre 2023

Me, Myself and I: Reframing the Concepts of Identity and Otherness

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  Deconstructing the Performance of Labour in the Bureau of Melodramatic Research
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• 22 Dicembre 2023

• Gendered Allegories of Power and Warfare: Warrior Women as Personifications in Early Modern Art
• Elisa Stafferini
• 22 Dicembre 2023

Art, Patronage, and Prestige: Visual Representations of Power in the Modern Era

• Protected and Protecting
  Dual Relations between the Sapieha Family and the Miraculous Image of Our Lady of Kodeń
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• 22 Dicembre 2023

• An Exercise of Style and Power
  Hans Holbein the Younger and the Painted Facade of the Hertenstein House in Lucerne (1517)
• Sandes Dindar
• 22 Dicembre 2023

Your Gaze Hits the Side of My Face: On the Image as Social Response and Counterculture

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• Sara Molho
• 22 Dicembre 2023

• The Power of Contemporary Chinese Photography: Capturing Moments, Shaping Perspectives
• Fu Sen
• 22 Dicembre 2023

Unveiling Perception: Altered Reality Through Surveillance and AI Imagery

• Countersurveillance Aesthetic
  Resistance Through Wearable Technologies
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• 22 Dicembre 2023

• Poor Power Images in the Work of Hito Steyerl
• Jolanda Wessel
• 22 Dicembre 2023

Symbolism and Identity in Ancient Societies: Negotiating Power Through Material Culture

• The Power of Statues in Byzantium
  The Wooden Effigy of Saint George in Omorfokklisia as a Talismanic Device
• Elena De Zordi
• 22 Dicembre 2023

Crossing Boundaries: Exploring Interdisciplinary Practices and Moving Images

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• Mansi Tiwari
• 22 Dicembre 2023

• Unseen Memories
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• Angelica Bertoli
• 22 Dicembre 2023

Cultural Institutions and Power: On the Relationship Between Museums and Politics

• The Rise of the Sursock Museum
  The Power of the Image to Create an Image of Power
• Ashraf Osman
• 22 Dicembre 2023

• ‘Il cappellino all’ultima moda’
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• Maria Novella Tavano
• 22 Dicembre 2023

Let Me Be Your Eyes: Investigations into the Phenomenology of Control

• Aby Warburg and the Political Iconography of Fascism: An Analysis of Symbols of Power
• Margherita Piccichè
• 22 Dicembre 2023

• Shifting Roles
  The Imperial Folk Arts and Crafts Revival’s Narratives at the Second All-Russian Kustar’ Exhibition (1913)
• Giulia Gelmi
• 22 Dicembre 2023

DC Field	Value
dc.identifier	ECF_chapter_19558
dc.title	Introductory remarks
dc.type	Capitolo
dc.language.iso	en
dc.relation.ispartof	Quaderni di Venezia Arti
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.issued	2023-12-22
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-771-5/introductory-remarks/
dc.identifier.doi	10.30687/978-88-6969-771-5/000
dc.identifier.eissn	2784-8868
dc.identifier.isbn
dc.identifier.eisbn	978-88-6969-771-5
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
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