Quaderni di Venezia Arti

In my End is my Beginning

Dialectical Images in Times of Crisis

crossmark logo

open access

Abstract

The volume comprises a selection of papers presented at the 6th Postgraduate International Conference organized by the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice (Venice, 9-11 October 2024): In my End is my Beginning. Dialectical Images in Times of Crisis. Both in the past and the present, humanity has been witnessing the collapse of its own identity, sociopolitical system and cultural order, as well as their restoration. In this imbalance, Ernesto De Martino acknowledges the roots of crisis, elaborating how the end of the world represents the culmination of the issue of existence, caught between the risk of downfall and the quest for redemption. At that moment, an apocalypse happens to reveal when a specific order needs to be replaced by new symbolic formations that correspond to the changed Zeitgeist. The vitality of an apocalyptic thinking, which continually transforms and produces new images of the crisis, leads us to consider a dimension in which the clash between the past and the future creates a generative power. In this liminal space between different meanings of ‘crisis’ and their translation into images, it is fundamental to consider what Walter Benjamin conceptualized as a dialectical image, a fragment wherein “what has been comes together in a flash with the now to form a constellation” (Arcades Project, 1999, 462). The 6th Postgraduate International Conference was aimed at investigating the liminal space between different meanings of ‘crisis’ and ‘apocalypse’, discovering how, through multiple processes of translation into images, these notions reveal new, unexpected beginnings. This volume therefore investigates the image as a representation of this dialectical moment.

Keywords Eggleston • Identity • Giorgio Vasta • Image • Apocalypse • Placenta politics • Estrangement • Allegory • Centre Pompidou • Crisis • Years of Lead • Textiles • Renaissance • Memory • Eco-art • End • War • Speculative fiction • Pregnant posthuman • Cronotophe • Perspective • Choreography • Style • Embodied reflexivity • Hauntology • Remains • Systemic crisis • Theatrical • France • Self-portrait • Eszter Salamon • Christianisation of Scandinavia • Curatorial • Landscape • Mediated memories • Novel • Fashion • Polyhedra • Allegorical-palimpsest • Pagan Scandinavia • Anachronism • Olympics • Mythological machine • Montage • Seesaw • Dialectical image • History • Petromodernity • Bonnard • West • Luigi Coppola • Titian • Hazard • Crisis imagery • Nature • Digital media • Flash • Germano Celant • Le Boxeur • Body • Monads • Castello di Rivoli Museo d’Arte Contemporanea • Décoration • Laurie Anderson • Marzia Migliora • McCarthy • Performative • Dialectical • Nalini Malani • Literature • Beginning • Visual culture • Legibility • Valeska Gert • Capitalocene • Thirteenth century • Rebirth • Schizo-image • Trauma • Aretino • Language • Skog tapestry • Photography • Cyberflâneur • Death • TITANE • Photo archive • 18th-century art • Dichotomy • Social imaginaries • Authoritarianism • Anticlimax • Utopian imagination • Presence • Figurability • South Asia

Thema codes ABA • JBCC9 • JBFF

Permalink http://doi.org/10.30687/978-88-6969-878-1 | e-ISBN 978-88-6969-878-1 | Pubblicato 11 Dicembre 2024 | Lingua en

Copyright © 2024 Asia Benedetti, Angelica Bertoli, Andrea Golfetto, Maria Novella Tavano. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.