From Biennale to Biennials. Cartographies of an Impossible Desire
open access
-
a cura di
- Anita Orzes - Université Grenoble Alpes - email
- Vittorio Pajusco - Ca' Foscari University of Venice - email
- Stefania Portinari - Ca' Foscari University of Venice - email orcid profile
Abstract
Questo volume esplora il fenomeno delle biennali analizzandone le dimensioni artistiche, geopolitiche e istituzionali. Pur concentrandosi principalmente su due grandi eventi, la Biennale di Venezia e quella di San Paolo, i saggi ampliano lo sguardo ad altre biennali, mostre e istituzioni, offrendo prospettive comparative e relazionali. Il volume mette in luce la complessità storica delle biennali e il loro ruolo come dispositivi culturali, evidenziandone la funzione di spazi di sperimentazione e legittimazione all’interno di più ampie tensioni politiche e istituzionali.
Keywords Transnational networks • Demise • Christo • Exhibition History • Prints • São Paulo Biennial • São Paulo Bienal • José Goméz Sicre • Michael Heizer • Conceptual Art • Educational Practices • Krakow International Biennial of Graphic Arts • Brazilian Art Historiography • Luca Maria Patella • Discursive engagement • Italian Colonialism • Cultural Politics • Post-war Abstractionism • São Paulo Art Biennial • International cultural relations • America • Colonial art • São Paulo Museum of Modern Art (MAM) • Venice Biennale • Pan-American Union • Venice Biennale Model • Biennials • Modernism • Contemporary art • Pietro Maria Bardi • Geopolitics • Francisco Matarazzo • Land art • The São Paulo Biennial • Yugoslavia • Colonialism • Desire • Institutional memory • Richard Long • Fabrizio Plessi
Permalink http://doi.org/10.30687/978-88-6969-910-8 | e-ISBN 978-88-6969-910-8 | Pubblicato 24 Luglio 2025 | Lingua it, en
Copyright © 2025 Anita Orzes, Vittorio Pajusco, Stefania Portinari. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.