57 | 2023
open access | peer reviewedKeywords Italy • Happiness duty • Editorialization • Space • Yugoslav Diaspora • Phonology • Italian • Instruments • Incest • Corpus • Definiteness • Transformism • Body • Anti-Slavery movements • National culture • The mono-clause analysis • Napoleonic Wars • Semantic recoverability • Nineteenth-century American literature • Relative clauses • Sylvia’s Lovers • Wolfgang Hilbig • Violence • Cultural studies • Toni Morrison • Digital critical publishing • Postmodern I-dentity • Syntax • John Ford • Intercultural communicative competence • Degree of Causalness • Colorism • Reader-response • Spoken French • Unmarked/Marked Causatives • Causative/Anticausative Alternation • Swedish Contemporary Literature • (l) vocalisation • Language variation • Superlatives • The indirect passive • Internationalism • God Help the Child • Parasitic scope • Emily Dickinson • Resumptive pronouns • Pedagogy • Nineteenth Century Haiti • Magical realism • Accessibility hierarchy • Culture • Haitian Revolution • The Identical • Collaborative project • Unmarked/Marked Anticausatives • American Civil War • Charles Eliot Norton • Lexicon • London English • Desire • Early Modern literature • Linguoculturology • Semantic incorporation • Prison libraries • Angela Carter • Intercultural communication • Psych Verbs • Post-migration • Enchantment • Code/Genre/Gender-Rewriting • Italian Sign Language • Teaching Russian as a foreign language • Identity • Elizabeth Gaskell • Huckleberry Finn • Haitian Representations • Travel Rhetoric • Japanese • Shoah • Melancholic migrant • General Leclerc • The Advantages of Defeat • Practice • Intercultural dialogue • Exoticism • Sociolinguistics
Permalink http://doi.org/10.30687/AnnOc/2499-1562/2023/11 | Pubblicato 30 Ottobre 2023 | Lingua en, fr, it
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.