Rivista | Annali di Ca’ Foscari. Serie orientale
Fascicolo | 56 | 2020
Articolo | An Analysis of Some Illustrated Books by Katsushika Hokusai (1760-1849) in the Museum of Oriental Art in Venice
An Analysis of Some Illustrated Books by Katsushika Hokusai (1760-1849) in the Museum of Oriental Art in Venice
Abstract
The collection of Japanese prints, albums and illustrated books (ehon) in the Museum of Oriental Art in Venice is the result of the last stop in Japan of a journey to the Far East of Prince Henry Bourbon-Parma, Count of Bardi and his wife Adelgunde of Bragança, during the years 1887-1889. The gathering of more than thirty thousand objects became the core of the present collection. Among these there are about 500 illustrated books of famous ukiyoe masters, surimono, and colour prints nishikie. The creation of catalogue entries in Japanese and Italian and the analysis of each print reveals an amazing quantity of unpublished ukiyoe masterpieces and allows a division into different groups according to the subject matter. At the same time, this distinction into different genres shows an interesting tendency in the formation of the collection together with a possible new classification of the prints themselves. This study aims to shed a new light on this particular collection while focusing on a series of illustrated books by Katsushika Hokusai (1760-1848). Among these the famous volumes of the Manga, the illustrated books on warriors, an unusual album with some prints from the One Hundred Views of Mount Fuji and a selection from the five volumes dedicated to teach the artisans how to draw all kind of decorations.
Presentato: 06 Febbraio 2020 | Accettato: 24 Marzo 2020 | Pubblicato 30 Giugno 2020 | Lingua: en
Keywords Museum of Oriental Art collection, Venice • Digital database • Japanese prints • Painting didactic • Hokusai’s illustrated books
Copyright © 2020 Silvia Vesco. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2020/01/022
