60 | 2024

Keywords Image of femininity • Candraprabhākumāra • Japanese art • Millenarism • Nanyue Huisi • South Asia • Bamboo manuscripts • Navya-Nyāya • Actorship • Karmir-blur • Seventeenth century • Identity • Vaḥši Bāfqi • Neo-Indo-Aryan literatures • Yueguang Tongzi • Italo-Japanese cultural exchange • Family language policy • Paekche • Persian poetry • Veridicality • Ottoman archaeology • Dunhuang • Old Chinese • Persian manuscripts • Persian literature • Philology • Cognition • Garden metaphors • Vegetarianism • Plurilingualism • Anvari • Bronze bowls • Excavated texts • Hwarang • Home language • Historical Phonology • Iranian Manichaean texts • Daoism • Japanese archaeology • Europe • Paleography • Phonological reconstruction • Enchi Fumiko • Literary imageries • Persian • Rōjomono • Ethical eating • Indo-Persian literature • Cuneiform inscriptions • Arabic • Urartu • Religious experience • Minua • Language typology • Sui dynasty • Mughal Empire • Olfactory aesthetic • L2 Vietnamese • Tadkerẹ • Korean • Saljuqid literature • Ottoman stations • Ottoman material culture • Epistemology • Chinese • Directed motion constructions • Environmental sustainability • Silla • Close reading • Realism • Khans and routes of the Islamic world • Buddhism • Late Islamic Kurdistan • Farhād va Širin • The Berenson Collection • Asia • Tang dynasty • Second language acquisition • Aging body • Exhibition Studies • Language maintenance and shift • Maitreya

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2024/01 | Pubblicato 25 Luglio 2024 | Lingua en, it

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