60 | 2024

Keywords Rōjomono • Close reading • Ethical eating • Navya-Nyāya • Japanese archaeology • Paekche • Tang dynasty • Cuneiform inscriptions • Image of femininity • Farhād va Širin • Mughal Empire • Bronze bowls • Directed motion constructions • Europe • Literary imageries • Persian manuscripts • Silla • Dunhuang • Korean • Ottoman stations • Veridicality • Italo-Japanese cultural exchange • Actorship • Language typology • Hwarang • Epistemology • Japanese art • Minua • Persian poetry • Karmir-blur • Candraprabhākumāra • Maitreya • Excavated texts • Tadkerẹ • Phonological reconstruction • Vaḥši Bāfqi • Philology • Arabic • Daoism • Late Islamic Kurdistan • Paleography • Persian • Family language policy • Neo-Indo-Aryan literatures • Buddhism • Historical Phonology • L2 Vietnamese • Persian literature • Identity • Religious experience • The Berenson Collection • Ottoman archaeology • Old Chinese • Language maintenance and shift • Sui dynasty • Garden metaphors • Realism • Yueguang Tongzi • Olfactory aesthetic • Seventeenth century • Urartu • Asia • Aging body • Exhibition Studies • Environmental sustainability • South Asia • Cognition • Nanyue Huisi • Saljuqid literature • Iranian Manichaean texts • Chinese • Anvari • Vegetarianism • Bamboo manuscripts • Home language • Khans and routes of the Islamic world • Enchi Fumiko • Ottoman material culture • Second language acquisition • Plurilingualism • Millenarism • Indo-Persian literature

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2024/01 | Pubblicato 25 Luglio 2024 | Lingua it, en

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