Fragile Selves
open access | peer reviewed-
a cura di
- Giulia Baquè - Università Ca’ Foscari Venezia, Italia - email
- Rossella Roncati - Università Ca’ Foscari Venezia, Italia - email
Keywords National cinema • Statues • Negotiation • Authorship • Transgender • Precarity • Historical narrative • Cold War, Cultural Diplomacy, Modern Dance, United • Vulnerability • Marginalisation • Loudspeaker • Theatre of power • Censorship • Extinction studies • Radio • COVID-19 • Literature and Cinema • Sound • Art-house cinema • Postcolonial studies • Neoliberalism • Ontological securitisation • Taiwan cinema • Moral panics • Resistance • Subalternity • Soundscape • China • Neo-Marxism • Noise • Necropolitics • Imperial taboo • Marketisation • Critical theory • Public sympathy • Meiji Restoration • Political space • Feminism • New historicism • Decolonization • Taiwanese identity • Sexual assault • Fragility • Psychopolitics • Cultural analysis • Chinese art-house cinema • Necrocene
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/02 | Pubblicato 01 Dicembre 2023 | Lingua en
Copyright © Giulia Baquè, Rossella Roncati. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.