Fragile Selves
open access | peer reviewed-
a cura di
- Giulia Baquè - Ca' Foscari University of Venice - email
- Rossella Roncati - Ca' Foscari University of Venice - email
Keywords Critical theory • Soundscape • Sound • Meiji Restoration • Radio • Taiwanese identity • Theatre of power • Taiwan cinema • Necropolitics • Vulnerability • Literature and Cinema • Art-house cinema • Extinction studies • Negotiation • Postcolonial studies • Censorship • Statues • Resistance • Authorship • Decolonization • Political space • Feminism • Loudspeaker • Transgender • Historical narrative • Marketisation • Ontological securitisation • Cold War, Cultural Diplomacy, Modern Dance, United • Fragility • Marginalisation • Moral panics • Neoliberalism • Precarity • Psychopolitics • Cultural analysis • Imperial taboo • Chinese art-house cinema • Necrocene • Neo-Marxism • New historicism • Public sympathy • Sexual assault • Subalternity • China • National cinema • Noise • COVID-19
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/02 | Pubblicato 01 Dicembre 2023 | Lingua en
Copyright © Giulia Baquè, Rossella Roncati. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.