Fragile Selves
open access | peer reviewed-
a cura di
- Giulia Baquè - Ca' Foscari University of Venice - email
- Rossella Roncati - Ca' Foscari University of Venice - email
Keywords Marketisation • Sexual assault • Necropolitics • Neo-Marxism • Postcolonial studies • Vulnerability • COVID-19 • Statues • Moral panics • Fragility • Taiwan cinema • Historical narrative • Soundscape • Sound • Negotiation • Radio • Noise • New historicism • Ontological securitisation • Extinction studies • China • Marginalisation • Feminism • Necrocene • Cultural analysis • Critical theory • National cinema • Political space • Theatre of power • Cold War, Cultural Diplomacy, Modern Dance, United • Chinese art-house cinema • Public sympathy • Censorship • Transgender • Precarity • Authorship • Art-house cinema • Subalternity • Resistance • Loudspeaker • Taiwanese identity • Literature and Cinema • Decolonization • Neoliberalism • Psychopolitics • Imperial taboo • Meiji Restoration
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/02 | Pubblicato 01 Dicembre 2023 | Lingua en
Copyright © Giulia Baquè, Rossella Roncati. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.